Raphael Bob-Waksberg and Kate Purdy poignantly swim through the recesses of time, animation and the mind in an ingenious new series.
Author: Sarah Gorr
It may be prefaced by a brilliant, heartfelt short, but Sony Pictures Animation’s latest, like its adaptation, is a huge waste of time.
Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss can’t quite spice up the underdone intrigue of this ’70s-set comic book adaptation.
Pippa Bianco dives headfirst into the complexities of life after sexual assault in a smartphone-heavy world.
Katee Sackhoff and an improbably attractive crew can’t save this DOA sci-fi series.
One of the few Tarantino scripts not directed by the man himself, Tony Scott’s “True Romance” is a tragically too-cool crime thriller that doesn’t age well.
The ostensibly classy Conjuring series turns into a predictable haunted-house spookfest.
HBO’s latest series puts its characters through exaggerated adolescent antics, with little substance to show for it.
Ava DuVernay tells the tale of the Central Park Five in a stirring but unsubtle miniseries.
David Milch’s long-awaited conclusion to his dark Western series hugs fans like a warm blanket, but be careful – it might be covered in smallpox.
One of Miyazaki’s most enduring classics, Princess Mononoke addresses the concepts of violence and hatred in a way young viewers can understand.
Middle-earth or middle-of-the-road? Dome Karukoski’s take on the Lord of the Rings author’s early life doesn’t even try to break the biopic mold.
Suranne Jones captivates as historical feminist and lesbian Anne Lister in a messy, but insightful HBO miniseries that overcomes its own stylistic crutches.
