Reviews “Boys From County Hell” offers riotous scares By: Sean Price Shudder presents a wild Irish tale of bloodsuckers and brawling mayhem.
Reviews “A Black Lady Sketch Show” returns for a liberating, hilarious season 2 By: Oluwatayo Adewole Robin Thede and crew continue to carve out a long-overdue space for Black women in comedy.
Reviews “The Mitchells vs. the Machines” is a colorful, vivid bit of sensory overload By: Sarah Gorr Mike Rianda's dizzying debut features vibrant, refreshing animation and oodles of style, even as its dysfunctional family dynamics ring a little familiar.
Reviews “Rutherford Falls” tells the truth with jokes By: Ashley Lara Michael Schur co-creates another sitcom that tempers complicated issues with humor.
Reviews “Yasuke” barrels past loads of interesting ideas By: Justin Harrison LeSean Thomas' historical fantasy anime is aurally and visually beautiful and possesses a boatload of cool fights, but its macro-scale story is vexingly overstuffed.
Reviews Season 2 of “The Circle” plays a more cutthroat game By: Ashley Lara The sophomore season of Netflix's reality/game show adds more intrigue & double dealing to the mix.
Features P.S.H. I Love You: Hoffman elevates “Catching Fire” In a rare big budget franchise appearance, Philip Seymour Hoffman gives some gravitas and nuance to the "Hunger Games" series.
Reviews Don’t believe in “Cher and the Loneliest Elephant” By: B.L. Panther While undoubtedly well-meaning, the feel-good documentary about the singer's efforts to "save" an elephant ignore an ugly truth.
Reviews “Mare of Easttown” finds the same old clues By: B.L. Panther Despite a complex, engaging performance from Kate Winslet, the HBO Max limited series about yet another murder in yet another small town doesn't try anything new.
Podcasts Henry Jackman on the musical canvas of “Falcon and the Winter Soldier” The composer returns to talk about returning to the Marvel Universe and expanding on his themes for the latest Disney+ series.
Reviews “Spy City” is more of the usual cloak & dagger antics By: Megan Sunday The AMC+ drama brings class & style, but nothing else new or interesting in the genre.
Anniversaries At 5, “Green Room” remains indelibly vicious and humane Jeremy Saulnier's brutal thriller feels even more urgent and frightening now than it did upon release.
Reviews This is one “Monday” you don’t have to dread By: Tim Stevens Denise Gough and Sebastian Stan bring chemistry to a frustrating relationship that should not be
Anniversaries “Sick is the new sane”: “Scream 4” at 10 From meta commentary to social commentary, Wes Craven's final film is a bundle of cinephilic sarcasm that was ahead of its time.
Features “Rumble Fish” is Coppola’s bleak, beautiful ode to hero worship One of Francis Ford Coppola's most underrated films is a moving look at the legacy of violence & what it means to be a "leader."
Features “MST3k: The Movie” and “Kids in the Hall” Brain Candy” turn 25 Two cult TV comedies made furtive attempts at the big screen in 1996, and the results were as unappreciated then as they are now.
Reviews “Our Towns” is an optimistic portrait of small-town America By: Theo Estes HBO’s latest documentary follows journalists around the country examining how small towns are adapting to a changing world.
Reviews Disney+’s limp “Big Shot” bounces off the backboard By: Lisa Laman The Disney+ original has tired jokes and an even more forgettable performance from John Stamos.
Reviews “Younger” wraps up the series in style with season 7 By: Marshall Estes The final season of Darren Star's series overcomes cast departures and some shoddy subplots to still end on an appealing high note.
Anniversaries 20 years later, “Josie & the Pussycats” still slaps The clever satire of pop culture consumerism is still as fresh and relevant as ever.
Features P.S.H. I Love You: Skip his small role in “Strangers With Candy” Only diehard Hoffman completists need to see his appearance in the movie spinoff of the poorly aged Comedy Central cult sitcom.