Francis Ford Coppola’s ambitious war epic Apocalypse Now depicts a bloody, dark night of the soul for the American mythos.
Author: Andrew Bloom
It remains to be seen if Marvel’s latest TV spinoff can capture audiences’ attention as well as its predecessor.
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A third season filled with dramatic narrative shakeups ends in the most abrupt, contrived way possible.
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The crew finally discovers the secret of the Burn, which only leads to another sea of tough decisions as the season begins its endgame.
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Michael Burnham finally figures out who she is, as the Vulcans and Romulans return to the Star Trek […]
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Burnham and company adjust to Earth and the Federation’s changes over the years, coping with the concept of home in the process.
Trek’s flagship series takes a dramatic leap forward, stumbling toward its true potential.
Sam Raimi’s breakthrough feature is still a gory good time of cartoon logic and every bodily fluid in the books.
Over seven seasons, Marvel’s red-headed TV stepchild assembled its own admirable sense of identity.
The culmination of Marvel’s 11-year gameplan is a cinematic juggling act whose success is an unlikely achievement.
“Et in Arcadia Ego, Part 2” rushes to its finale and cheats its way to emotional catharsis.