Despite a complex, engaging performance from Kate Winslet, the HBO Max limited series about yet another murder in yet another small town doesn’t try anything new.
Sandwiched between Godfathers I & II, the paranoid thriller features Francis Ford Coppola in his greatest collaboration.
Hulu’s latest prestige series looks good and features a powerful performance by its leading man, but isn’t anything we haven’t seen before.
David E. Kelley’s latest for HBO features Nicole Kidman in another excellent turn as a therapist who’s pulled into a murder investigation.
David Fincher’s bleak, gruesome murder mystery packed a punch audiences have never forgotten.
Netflix’s latest is a whimsical re-imagining of Sherlock Holmes buoyed only by Brown’s charming performance.
Joel Schumacher’s sleazy, sweaty neo-noir of porn and pain remains a bizarre artifact for the director’s filmography, and it hasn’t lost its bite.
HBO’s gritty new gumshoe is already being eclipsed by his more interesting supporting players in episode two.
Matthew Rhys steps into the gumshoes of the famed private investigator for a shaky but sumptuous first episode.
Netflix’s latest African original series is a teen mystery that can’t quite overcome its derivations.
Laurent Bouzereau’s documentary about the life and death of the Hollywood legend is charming but frustratingly incomplete.
Apple TV+’s new mystery series isn’t entirely consistent, but it blends childlike wonder with real-life injustice to engaging effect.
Amazon’s adaptation of the Agatha Christie mystery The Pale Horse (one of the author’s final works) keeps her innate spirit for intrigue.
Jonathan Demme’s remake of Charade marks a low point in his career from casting and acting to pacing and direction.
Michael Cristofer’s first movie since 2001 is a low-key thriller that respects its characters, even if its setup isn’t too original.
Robert Kenner and Taki Oldham tackle the curious case of a man who’s confessed to too many crimes.
Nicolas Cage stars in a Southern fried psychological thriller that’s both too much, and not enough.
Disney’s sequel enjoys another robust weekend, while the Rian Johnson whodunit clues moviegoers to the joys of original crowdpleasers.