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The Spool is an irreverent, informative source for film and television coverage, focused on diverse, thoughtful opinions that seek out a greater understanding of the media we love.

Spider-Man: Into the Spider-Verse Review – A Web-Slinging Animated Classic in the Making

Miles Morales gets the big-screen treatment he deserves, an aesthetically vibrant, action-packed story that might just be one of the best animated superhero films of all time. This piece was originally posted on Alcohollywood What if I were to tell you that one of the most dazzling, innovative, hilarious and poignant animated films of the ... Spider-Man: Into the Spider-Verse Review – A Web-Slinging Animated Classic in the Making

Twisted Pair Review: Neil Breen’s Latest Exercise in Baffling Anti-Cinema

The deeply strange Neil Breen returns with an even more deeply strange entry in his filmography of homespun, barely-coherent ‘psychological thrillers.’ This piece was originally posted on Alcohollywood One doesn’t review a Neil Breen movie so much as ponder its existence. It’s not even a question of how it got made—we know it was financed ... Twisted Pair Review: Neil Breen’s Latest Exercise in Baffling Anti-Cinema

Prospect Review: A Thrilling, Micro-budget Sci-Fi Western

Writer/director team Zeek Earl and Chris Caldwell craft a grimy, visceral space Western about a family of prospectors risking their lives on an alien moon. This piece was originally posted on Alcohollywood Space-based science fiction is usually a big-budget affair – hundred-million-dollar space battles, exotic alien creatures and slick, futuristic spaceships. However, every so often ... Prospect Review: A Thrilling, Micro-budget Sci-Fi Western

The Girl in the Spider’s Web Review: Lisbeth Slander gets an action hero makeover

Lisbeth Salander returns, this time played by Claire Foy, in a slick but shallow sequel that trades in the series’ nuance for Bond-ian action. This piece was originally posted on Alcohollywood Pre-screening chatter before The Girl in the Spider’s Web all seemed to center on the same questions: “What happened in the last movie?” “Is ... The Girl in the Spider’s Web Review: Lisbeth Slander gets an action hero makeover

Brooklyn Horror Film Festival Dispatch, Part 1: Tower. A Bright Day, Empathy, Inc., Antrum

This piece was originally posted on Alcohollywood As horror continues its gradual moving away from traditional monsters and slashers to rawer, more unsettling scares that are COMING FROM INSIDE THE HOUSE, we can look forward to more internet discourse about whether a movie qualifies as “horror.” This requires the sort of pedantry that is the ... Brooklyn Horror Film Festival Dispatch, Part 1: Tower. A Bright Day, Empathy, Inc., Antrum

Malevolent Review: Netflix’s Latest is Stylish and Sloppy in Equal Measure

Netflix’s latest creep-fest is a schlocky bore filled with predictable twists and some dodgy performances, though it’s mitigated with some genuine visual style. This piece was originally posted on Alcohollywood “Horror isn’t easy” is probably one of the greater understatements in the history of film. Sure, it’s easy to crank out an hour and a ... Malevolent Review: Netflix’s Latest is Stylish and Sloppy in Equal Measure

The Book of Birdie Review: Atmospheric Chills Abound in This Convent Thriller

Elizabeth E. Schuch’s spooky, atmospheric horror gem prefers to keep its tale of demonic birth and possession filled with atmospheric dread rather than outright shocks. This piece was originally posted on Alcohollywood Secluded from the world, convents offer filmmakers an isolated setting charged with religious significance. This combination especially lends itself especially to tales that ... The Book of Birdie Review: Atmospheric Chills Abound in This Convent Thriller