The director and composer of the Jude Law-Carrie Coon drama The Nest sit down to talk about their collaboration.
How the body horror of David Cronenberg helped me come to terms with my own disability.
Philip Seymour Hoffman does his level best to elevate Anthony Minghella’s Oscar-friendly Miramax Western, but even he can’t save it.
HBO’s latest miniseries mines terror from the all-too-familiar rhythms of provincial authoritarianism.
The latest from Sean Durkin is a quiet, searing look at a family falling into disarray featuring stellar work from Carrie Coon.
It’s good, but Anthony Minghella’s 1999 adaptation really comes alive when Philip Seymour Hoffman’s scumbag enters the picture.
Though cinematographer Reed Morano shows some directing chops, the Blake Lively thriller is uneven in style & tone.
Paolo Sorrentino’s lush, campy papal drama returns for a second season, and throws John Malkovich into the lurid mix.
Mike Nichols’ searing relationship drama uses words as weapons, and all four leads deploy them expertly. “Have you […]
Sam Mendes’ Depresson-era gangster fable is as effective as it is in-your-face with its aesthetics.
Scorsese recovered from the brutal conditions of Gangs of New York with an intimate, tragic portrait of the foibles of genius.
Marvel’s first female-led superhero film is a modest but meaningful success.
From the latest Marvel trailers to the upcoming Amazon/Hulu shows, the Super Bowl was a cavalcade of anticipated TV spots.
This piece was originally posted on Alcohollywood The 54th Chicago International Film Festival is more than just an […]