The Hunt’s Thomas Vinterberg and Mads Mikkelsen reteam for another thought-provoking drama.
François Ozon adds another touching romance to France’s queer cinema canon.
Regina King’s directorial debut delivers a resonant message through a phenomenal cast and thought-provoking screenplay.
Tak Sakaguchi slashes his way through nearly 600 bad guys in a single take, but the audience gets exhausted long before he does.
Christian Alvart’s remake of a 2014 Spanish thriller turns post-Wall German backwoods into a tense stage for murder and grit.
Kana Yamada’s stage adaptation Life: Untitled offers a glimpse into the lives of women on the margins of Japanese sex work.
Ivo Van Aart’s uneven black comedy/thriller about a vengeful writer is ultimately more style than substance.
Jeffrey McHale explores the circuitous route the NC-17 flop took from Razzie shame to midnight fame.
Annie Silverstein’s delicate, uncompromising drama uses the subculture of Black rodeo to paint an aching picture of loss, time and poverty.
Martha Stephens’ sumptuous queer coming-of-age drama highlights the restrictive pain of societal repression.
This feel-good doc charts the lives and trajectories of disabled teenagers in the ’60s, and how one summer camp changed their lives forever.
America’s first Muslim-majority city learns the limits (and victories) of multiculturalism.
Noah Hutton’s sci-fi satire of the gig economy wraps wry humor with sly critique of the daily grind.
Maria Finitzo’s documentary celebrates female sexuality in all its varied forms.
A comprehensive guide to the streaming films you should watch as you quarantine from the coronavirus.
Alex Lee Moyer’s documentary on the rise of incels doesn’t quite unlock what makes them so angry and dissatisfied.
Billie Piper makes waves with a visually stunning, but dramatically inert directorial debut.
Lynn Chen’s debut is an achingly honest tale of lost time and potential.