The star of “Leave No Trace” and “Jojo Rabbit” sits down to talk about her career, her latest role, and finding humanity in inhumane times.
Seahorse, The First Rainbow Coalition, and debut feature The Vast of Night highlight our last day of CIFF capsule reviews.
Our penultimate CIFF dispatch breaks down Rian Johnson’s star-studded caper Knives Out, the Georgian queer drama And Then We Danced…, and more.
(This dispatch is part of our coverage of the 2019 Chicago International Film Festival.) Welp, CIFF keeps chugging […]
The Painted Bird, Just 6.5, Francois Ozon’s By the Grace of God, and the documentary The Hypnotist dominate today’s CIFF coverage.
Trey Edward Shults’ family drama, Tom Harper’s big-budget balloon thriller, and others dominate this latest CIFF dispatch.
Today’s CIFF Dispatch looks at documentaries My Father and Me and The Human Factor, character drama Litigante and rape thriller Instinct.
Sunday’s CIFF dispatch includes takes on Argentine drama The Sleepwalkers, live-stream doc Present.Perfect., Chilean doc Cordillera of Dreams, and more.
Today’s CIFF dispatch sees reviews of Forman vs. Forman, Gloria Mundi, I Lost My Body, Let There Be Light, and Extracurricular.
Friday’s CIFF Dispatch talks up Harlem doc The Apollo, dark fairy tale Adoration, Guatemalan drama Our Mothers, and Minhal Baig’s coming-of-age story Hala.
At CIFF, we take a look at religious drama Maternal, episodic romantic dramedy Babyteeth, German potboiler Lara, and historical queer horror Carmilla.
Today’s CIFF dispatch includes family drama The Truth, death-row issue film Clemency, Guatemalan queer drama Tremors, and the gonzo Twentieth Century.
Our first dispatch of the Chicago International Film Festival highlights Polish drama Sole, 3D dance doc Cunningham, and the experiential Fire Will Come.
Wyrm writer/director Christopher Winterbauer sits down at Fantastic Fest to talk about the analog appeal of ’80s kitsch and adapting shorts to features.
Romania’s Corneliu Pourumbiou bogs down excellent production design in droopy, exposition-heavy noir trappings.
Nadav Lapid’s latest film loads its narrative with impactful stories about masculinity, language, and nationality.
Martin Scorsese returns with another long, sumptuous opus, whose crackling performances and scintillating script are held up by some wonky de-aging tech and a leaden runtime.
Flavio Alves’ story of a trans immigrant in New York City may be rough around the edges, but it serves as important advocacy.