Falling stars, grudges & impressive women abound over the first box office weekend of 2020.
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The closing chapter of the Star Wars sequel trilogy maintains a steady second-weekend box office haul.
From the first time we meet Baby Yoda to the final trek of the Razor Crest, we look back at the highs and lows of The Mandalorian’s first season.
Star Wars: The Rise of Skywalker rises to a forceful $175.5 million opening weekend at the box office, but it falters compared to previous episodes.
We revisit the underappreciated humanism of James Cameron’s effects-driven blockbuster a decade after its release.
Playmobil’s misguided animated feature follows in the footsteps of Delgo, The Oogieloves and other ill-fated kid’s flicks.
Willem Dafoe and some cute puppies aren’t enough to save this dull, overlong adventure.
Disney’s sequel enjoys another robust weekend, while the Rian Johnson whodunit clues moviegoers to the joys of original crowdpleasers.
Frozen 2 breaks the ice of November’s box-office chill — and the year’s downward trend of family movie sequels.
This sequel to the 2013 animated hit delivers on the songs and some lovely messaging, but essentially delivers more of the same.
There’s a lot more nuance to be found in the discourse surrounding Marvel movies and arthouse cinema.
Disney+’s live-action Star Wars series shakes off its fan-film cobwebs and shows glimmers of space Western intrigue.
Disney+ revives its flagship tween-friendly musical series for a baffling, cynical mockumentary.
The Disney sequel gets a modest #1 spot, while Zombieland: Double Tap scares up a respectable opening weekend.
Among the Mouse House’s stable of live-action remakes, this sequel to the 2014 prequel goes down a lot smoother than its contemporaries.
The Seth Rogen-produced kiddie-raunch comedy starts strong, in an August that’s been largely underwhelming for the box office.
The latest Fast & Furious movie maintains a modest hold on the box office this weekend, while newcomer Scary Stories to Tell in the Dark makes a big splash for late-summer horror flicks.
Hobbs & Shaw raced into theaters last weekend and racked up a respectable box office showing, while The Farewell continued its upward trajectory.
