The Seth Rogen-produced kiddie-raunch comedy starts strong, in an August that’s been largely underwhelming for the box office.
disney
The latest Fast & Furious movie maintains a modest hold on the box office this weekend, while newcomer Scary Stories to Tell in the Dark makes a big splash for late-summer horror flicks.
Hobbs & Shaw raced into theaters last weekend and racked up a respectable box office showing, while The Farewell continued its upward trajectory.
While “The Lion King” dropped like Mufasa off a cliff in its second weekend, “Once Upon a Time in Hollywood” kicked off Tarantino’s biggest opening.
Disney’s latest live-action remake ruled the kingdom, and other kid-friendly fare made a solid showing.
Marvel’s web-crawler predictably holds the box office, while The Farewell puts up a respectable showing for an A24 dramedy.
Never has something looked so photorealistic and felt so fake.
The box office performance of Spider-Man: Far From Home helps drag a slower movie summer out of its funk, while Toy Story 4 keeps chugging along.
It doesn’t reach the swinging heights of Homecoming, but Jon Watts’ follow-up gets Marvel’s Phase Four off to a charming enough start.
Pixar’s fourth trip into the toybox opens up fascinating existential questions while maintaining its delightful core of childlike whimsy.
(Every month, we at The Spool select a Filmmaker of the Month, honoring the life and works of […]
Howl’s Moving Castle, Hayao Miyazaki’s sprawling, mythic steampunk fantasy from 2004, is one of the master’s more underrated features.
One of Hayao Miyazaki’s lighter, sentimental films is a celebration of ordinary life & parental love as seen through the eyes of a child.
As the first generation of Marvel superheroes hangs up their claws and helmets, we wonder just how long pop culture will actually let them stay dead.
The MCU reaches a climax of sorts with the ambitious, three-hour Endgame, a satisifying end to the 11-year Marvel mythos to date.
While it doesn’t reach the heights of Pete’s Dragon, Tim Burton’s remake has its fair share of charms, and takes a few digs at the House of Mouse.
Marvel’s first female-led superhero film is a modest but meaningful success.
From the latest Marvel trailers to the upcoming Amazon/Hulu shows, the Super Bowl was a cavalcade of anticipated TV spots.