Twenty years after the show’s finale, we sit down to determine which of Deep Space Nine’s deep bench of great characters earns our favor.
Logan tightens his grip on the Roy family and Waystar as a corporate retreat gets downright feral.
The co-creator of Amazon’s latest fantasy series discusses the story’s long, winding road from long-dormant feature script to streaming series.
Julia Reichert and Steven Bognar track the intersection of culture and capitalism in this intriguingly humanistic doc.
Jane Campion’s Janet Frame biopic, a trilogy of fables from Abbas Kiarostami, and one of Ozu’s lesser-known melodramas fill Criterion’s August slate.
The Roys slash and burn old and new media alike as they contemplate their uncertain futures.
David Fincher’s haunting, revolutionary Netflix show returns for a sophomore glimpse into the dark core of the American soul.
The stars of Jennifer Kent’s harrowing colonial revenge film sit down to talk about finding their characters amidst historical hell.
Lee Eisenberg and Gene Stupnitsky’s edgy tween comedy finds an unexpected sweetness among the swears.
HBO’s cuttingly dark upper-crust family drama carves new depths of capitalist depravity in the season premiere.
The composers of Amazon’s new docuseries talk about Meek Mill, their contrasting styles, and the challenges of documentary scoring.
A late-summer adaptation of the Alvin Schwartz stories turns out to be one of the year’s biggest surprises in horror.
Michael Barnett’s doc is an inspiring, eye-opening look at the complicated, often painful world of transgender high school athletes.
Despite its stellar cast, including Kaitlyn Dever and Olivia Colman, this indie cult drama slithers away from itself a bit too often.
The writer/directors of Fantasia fave Freaks, talk about the lo-fi origins of their unconventional superhero story.
In honor of Where’d You Go, Bernadette?, we take a closer look at the prolific indie pioneer.
We sit down with the stars of HBO’s latest film to talk about sexual assault and social media in the post-#MeToo era.
Quentin Tarantino’s ninth film is a sun-soaked return to his roots, an energetic elegy for Old Hollywood that plays fast and loose with its history.