It’s not perfect, but the Russo brothers’ conspiracy-thriller take on the MCU turned its eye inward to the more explicitly political.
Rohoboam’s true purpose is revealed, and Dolores’ ultimate mission expands to cover all of humanity.
The veteran character actor discusses Netflix’s Tigertail and fighting anti-Asian bigotry in the time of coronavirus.
Master of None co-creator Alan Yang interrogates his father’s move to America in a slow, but gentle debut.
The disparate players merge on the chessboard as Westworld starts making some game-changing moves.
Amazon’s latest anthology is as sleepy as its suburban setting, but offers plenty of speculative rewards for the patient.
The composer discusses crafting the delicate, otherworldly rhythms of Amazon’s sci-fi anthology series.
One year after Avengers: Endgame, we look back at the blockbuster franchise that changed superhero cinema — and the moviegoing landscape — forever.
Both Charlotte and Caleb wrestle with identity crises, and the show spins its wheels.
The Emmy-winning composer talks about carrying the torch of Star Trek’s sixty-year musical history.
The show returns to the parks, and catches up with Maeve as the show churns its way back to a strange sense of normalcy.
America’s first Muslim-majority city learns the limits (and victories) of multiculturalism.
Noah Hutton’s sci-fi satire of the gig economy wraps wry humor with sly critique of the daily grind.
A comprehensive guide to the streaming films you should watch as you quarantine from the coronavirus.
HBO’s robot-revolution series reinvents itself and throws Aaron Paul into the mix.
Billie Piper makes waves with a visually stunning, but dramatically inert directorial debut.
India’s “first spaceship movie” is a languid, but occasionally thoughtful sci-fi dramedy about the bureaucracy of death.
The writer/director sits down to talk about indie filmmaking, the importance of Asian-American voices, and putting her life story on film.