Alejandro Landes’ tense, probing portrait of child soldiers keeps its messages as muddy as its setting.
Brilliant production design and strong lead performances get bogged down in too much worldbuilding in Amazon’s high-budget fantasy series.
Porco Rosso is yet another swashbuckling adventure in the grand tradition of Hayao Miyazaki, a high-flying caper about a flying pig who’s also a sea pirate.
Ralph Fiennes’ tale of real-life Russian dancer and defector Rudolph Nureyev is stylish enough but fails to slip deeply into its’ characters ballet flats.
Middle-earth or middle-of-the-road? Dome Karukoski’s take on the Lord of the Rings author’s early life doesn’t even try to break the biopic mold.
The war between the living and the dead reaches its apex in the long-awaited, but fairly boilerplate, climax of Game of Thrones.
While it’s long, languorous and more than a little dreamlike, László Nemes’ latest paints another sumptuous world of woe.
While Keira Knightley and cast give off some elegant looks, this post-WWII costume drama floats passively along the surface of its subject.
One of The Orville’s most explicitly comedic characters gets his moment in the sun with a familiar, nuanced episode about the lingering animosity of war.
Clint sits down with the documentary filmmaker to talk about his observations of post-war Bosnia and the fascinating subjects of his story.
Shawn Convey’s doc about a Bosnian biker gang on a humanitarian mission is a meditative mood piece on war, trauma, and purpose.
The JJ Abrams-produced Nazi zombie flick provides plenty of schlock and scares, but stumbles over its own rotting […]
The latest mid-budget Gerard Butler vehicle might thrill those who clamor for the return of the 90s submarine […]
Hausu’s Nobuhiko Obayashi starts wrapping up his 60-year career in filmmaking with a deeply weird, compellingly stream-of-consciousness wartime […]