The Netflix series feels as much about the components of Fincher’s exacting style as it does the origins of forensic profiling.
Kathryn Bigelow’s Oscar winning drama tossed aside the bombastic, jingoistic cliches of war pictures in favor of something more chilling.
Jonathan Demme’s remake of Charade marks a low point in his career from casting and acting to pacing and direction.
Jim Jarmusch’s atmospheric ode to Elvis and the fleetingness of time holds up more than 30 years later as one of his best works.
Martin Scorsese’s hip, vibrant concert film The Last Waltz captures the ephemerality of The Band and its influence on the rock ‘n roll stage.
In 2005, Richard Linklater followed up School of Rock with the similarly-child-oriented remake of The Bad News Bears, to mixed results.