I sit down with two subjects from the upcoming AIDS documentary 5B to talk about Pride and the plague years.
documentary
Jill Magid’s documentary delves into messy conversations about the link between art and legacy, becoming a short but […]
This indie doc about modern slave labor in the East Asian fishing industry is well-intentioned but pulls its punches when they’re most needed.
America’s first celebrity fashion designer gets the documentary treatment in an insightful treatment that still occasionally gets in its own way.
Ron Howard returns to accessible but fluffy music docs with this hagiography of the iconic opera tenor.
Antoine Fuqua’s HBO doc about the greatest fighter of all time is an intriguing, if uneven, dive into the man behind the myth.
We chat with the creator of the podcast series Blockbuster about dramatizing the early creative partnership of Steven Spielberg and George Lucas
Winnie Cheung’s award-winning short is filled with trippy imagery, but might be too frenetic for its own good.
Werner Herzog’s look at the Soviet Union’s last leader is fascinatingly apolitical, but lacks insight as a result.
Documentarian Penny Lane returns to our weekly interview podcast to talk about her deeply funny, insightful dive into The Satanic Temple.
Hulu’s new documentary on the life of pioneering sex therapist Dr. Ruth Westheimer balances lifelong tragedies with her undying sense of joy.
Clint sits down with the producers of Knock Down the House, The Infiltrators and Won’t You Be My Neighbor? to find out what makes a great doc.
A pioneering work of Black Queer Cinema, Cheryl Dunye’s vibrant “Dunye-mentary” reckons with traditional queer narratives and the racism of Old Hollywood.
Chicago’s documentary film festival comes to a close with docs on the war in Ukraine and a cute little farm in SoCal.
Environmentalism, culture clash, and Satanism reign in Day 3 of Chicago’s doc festival.
Day 2 of Chicago’s documentary film festival displays films about iconic journalist Mike Wallace and the trials and tribulations of a family struggling to provide private EMT care in Mexico City.
Reassembled from previously-thought unusable Sydney Pollack footage, Alan Elliot cobbles together an arresting Aretha Franklin concert film.
