A comprehensive guide to the streaming films you should watch as you quarantine from the coronavirus.
Pixar gets back to its tear-jerking roots with an emotionally complex modern fantasy about grief, loss, and brotherhood.
Everyone’s favorite talking hedgehog burns up a $57 million opening weekend at the box office, while Birds of Prey experiences the typical second-weekend slump.
Aardman is back with another charming children’s romp in the Shaun the Sheep series.
Will Smith & Tom Holland lend their voices to an animated adventure that makes up in charm what it lacks in originality.
Playmobil’s misguided animated feature follows in the footsteps of Delgo, The Oogieloves and other ill-fated kid’s flicks.
Disney’s sequel enjoys another robust weekend, while the Rian Johnson whodunit clues moviegoers to the joys of original crowdpleasers.
Netflix’s Christmas offerings get an animated upgrade in this familiar but handsomely hand-drawn take on the Santa story.
This sequel to the 2013 animated hit delivers on the songs and some lovely messaging, but essentially delivers more of the same.
There is no fate but what we make, and Dark Fate‘s middling box office returns paint a grim […]
Today’s CIFF dispatch sees reviews of Forman vs. Forman, Gloria Mundi, I Lost My Body, Let There Be Light, and Extracurricular.
This animated reboot of TV’s spookiest family plays its kid-friendly scares a bit too safe.
Linklater’s darkest film continues to baffle & mesmerize viewers more than 10 years later.
Richard Linklater’s 2001 rotoscope experiment gets lost in philosophical aimlessness.
Our monthly TV podcast returns to find Bikini Bottom’s favored son for the twentieth anniversary of Nick’s seminal kid’s show.
Marvel’s web-crawler predictably holds the box office, while The Farewell puts up a respectable showing for an A24 dramedy.
Last weekend saw poor performance for the latest Conjuring flick, in a summer of diminishing returns for franchise sequels.
This weekend’s box office bode ill for Pixar’s Toy Story 4, which performed under expectations, and Child’s Play kicks off a modest opener.