“The Lovebirds” is a disappointing date night of foul play Michael Showalter's latest comedy suffers from a hackneyed script that forces its otherwise-likable stars to do all the heavy lifting.
“Time Warp” is a warm celebration of weird cinema The three part documentary offers an affectionate, occasionally uneven look at cult films.
TV “Blood & Water” makes for an uneven mix of teen drama and mystery Netflix's latest African original series is a teen mystery that can't quite overcome its derivations.
“Villain” is a rubbish, sluggish British crime caper Craig Fairbrass' textured mug can't save this low-budget crime flick that tumbles headfirst into cliche.
Interviews Capturing Dystopias: “Snowpiercer” and “Westworld” cinematographer John Grillo The cinematographer behind much of HBO's Westworld and TNT's Snowpiercer talks about the rocky road to filming two disparate sci-fi dystopias.
Filmmaker of the Month In “Friday the 13th Part VI: Jason Lives”, Jason slashes his way back to the series The Friday the 13th series chugs along with a straightforward but functional slasher with a hint of metahumor.
Filmmaker of the Month “Friday the 13th: A New Beginning” finds 22 victims in search of a Jason Jason (and the franchise) comes back from an ostensible conclusion to keep up the blood-splattering mayhem.
TV “Snowpiercer” goes off the rails far too quickly TNT's adaptation of the French comic and Bong Joon-ho film struggles to stretch its high-concept premise across an entire series.
“Fame” dared to tell the truth about making it in show business Alan Parker’s gritty, all too realistic musical drama turns 40 & still asks a difficult question: is talent enough?
“Seberg” is a political thriller with no real point of view Benedict Andrews' retelling of FBI's pursuit of the French New Wave star under the Hoover administration relies far too heavily on broad stokes.
Features Rest in peace Annalise Keating, the heart of “How to Get Away With Murder” In the wake of the series finale, we look back on what made Viola Davis' character so iconic.
Features “Mad Max: Fury Road”’s language is as impeccable as its action George Miller's post-apocalyptic series is just as much about learning to communicate as it is learning to survive in the desert wastes.
Historical action meets creature feature in the delightfully silly “Monstrum” Shudder brings us a gory, goofy mix of Crouching Tiger, Hidden Dragon and Tremors.
“Scoob!” is as insubstantial as a Scooby Snack Hanna-Barbera gives Scooby-Doo a superpowered reboot and loses most of its charm along the way.
“The Wrong Missy” is the least wrong thing about Happy Madison’s latest A spirited turn from Lauren Lapkus can't quite save the Sandler crew's newest misfire.
TV “The Great” rewrites history with tongue firmly in cheek The Favourite screenwriter Tony McNamara gives the same farcical treatment to Catherine the Great, to largely wry results.
Filmmaker of the Month “Friday the 13th: The Final Chapter” tried (and failed) to kill Jason for good Frank Mancuso, Jr. and Paramount tried to give Jason Voorhees a killer sendoff, but the franchise didn't stay dead.
TV “The Unbreakable Kimmy Schmidt” lets you choose Kimmy’s adventure, for good and ill It's essentially a semi-interactive bonus episode, but Ellie Kemper and crew still pull some fun rabbits out of their purple JanSports.
Features Remembering the fleet-footed delights of “Center Stage” Nicholas Hytner's coming-of-age dance picture still holds a special place in the hearts of Milennial women twenty years on.
“Capone” messily rages against the dying of the light Josh Trank’s comeback stars Tom Hardy in a balls to the wall performance that’s wasted on a weak, derivative script.
“Spaceship Earth” is a more bizarre quarantine than our own Matt Wolf's documentary about the ill-fated science project is a bizarrely perfect fit for our self-isolating times.