The MCU reaches a climax of sorts with the ambitious, three-hour Endgame, a satisifying end to the 11-year Marvel mythos to date.
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Dame Judi Dench gives a commanding performance as always, but this time-hopping spy thriller suffers from tepid, made-for-BBC delivery.
Jennifer Kaytin Robinson’s unconventional combo of rom-com, BFF dramedy and a million other genres charms thanks to Gina Rodriguez and Lakeith Stanfield.
Our exploration of black women directors continues with a look at Gina Prince-Bythewood’s sensitive, layered romantic drama.
Tessa Thompson and Lily James are two sisters struggling with rural poverty and difficult choices in this gripping, but uneven drama.
Max Minghella’s directorial debut is a neon-dredged pop curio that features a one-note script that doesn’t exactly serve Elle Fanning’s game lead turn.
Molly Shannon and Amy Seimetz shine in this warm, tender, humanizing portrayal of the famously enigmatic poet.
A pioneering work of Black Queer Cinema, Cheryl Dunye’s vibrant “Dunye-mentary” reckons with traditional queer narratives and the racism of Old Hollywood.
Environmentalism, culture clash, and Satanism reign in Day 3 of Chicago’s doc festival.
Day 2 of Chicago’s documentary film festival displays films about iconic journalist Mike Wallace and the trials and tribulations of a family struggling to provide private EMT care in Mexico City.
Reassembled from previously-thought unusable Sydney Pollack footage, Alan Elliot cobbles together an arresting Aretha Franklin concert film.
We interview the Starfish director about making his first feature, paying homage to a close friend, the film’s Silent Hill nods, and more.
Comparisons to A Quiet Place are the least of the problems in this cheesy, poorly paced apocalyptic horror film.
Laika’s latest mixes action, humor & message in a great family movie.
Maya Angelou’s sole directorial effort Down in the Delta is a powerful and engaging look at a strong-willed family taking control of their destiny.