The Seth Rogen-produced kiddie-raunch comedy starts strong, in an August that’s been largely underwhelming for the box office.
This English-language remake of the 2006 Danish drama stops short of having anything interesting to say about its privileged protagonists.
In 2005, Richard Linklater followed up School of Rock with the similarly-child-oriented remake of The Bad News Bears, to mixed results.
Kevin Costner growls out philosophical homilies in this treacly melodrama about a dog teaching his master how to love.
Richard Linklater’s 2001 rotoscope experiment gets lost in philosophical aimlessness.
Johannes Roberts’ sequel to 2017’s stripped-down aquatic thriller is packed to the gills with sharktastic mayhem.
The latest HBO documentary highlights the peaceful, green practice of alternative funerals.
The stars of Jennifer Kent’s harrowing colonial revenge film sit down to talk about finding their characters amidst historical hell.
Richard Linklater’s latest removes the mystery from the Marie Semple novel, but ends up a flawed but welcome reflection on aging and creativity.
Lee Eisenberg and Gene Stupnitsky’s edgy tween comedy finds an unexpected sweetness among the swears.
It’s a little Sundance-y, but Tyler Wilson and Michael Schwarz craft a smart, balanced indie that avoids the usual pitfalls of the way movies tend to treat disability.
Gurinder Chadha’s heartwarming tale of a boy and The Boss fumbles some chords, but charms nonetheless.
The latest Fast & Furious movie maintains a modest hold on the box office this weekend, while newcomer Scary Stories to Tell in the Dark makes a big splash for late-summer horror flicks.
It may be prefaced by a brilliant, heartfelt short, but Sony Pictures Animation’s latest, like its adaptation, is a huge waste of time.
Richard Linklater’s 1993 coming-of-age classic is a battle of dueling, complicated nostalgias around ’60s youth culture.
Thirty years ago, The Abyss saw James Cameron pivot away from masculine action pictures into more humanist filmmaking.
Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss can’t quite spice up the underdone intrigue of this ’70s-set comic book adaptation.
A late-summer adaptation of the Alvin Schwartz stories turns out to be one of the year’s biggest surprises in horror.