Kurtis David Harder’s new horror allegory can’t sustain its political or narrative ambitions despite a few spooky moments.
Gerard Bush & Christopher Renz’s feature debut is a misguided, crass, often silly tale that throws away its cast and premise.
The latest from Sean Durkin is a quiet, searing look at a family falling into disarray featuring stellar work from Carrie Coon.
Christopher Nolan’s latest sci-fi thriller is often something to behold, but it’s nowhere near the brilliant art it thinks it is.
Charlie Kaufman’s minimalist meditation on mortality is as hard to get through as it is oddly rewarding.
The franchise’s long-awaited third entry is a harmless jaunt that lacks its predecessors’ novelty and surrealism.
Jay Baruchel’s adaptation of the 2010 comic is an ugly attempt at social commentary that lacks irony or emotion.
Strong CGI and an all-star cast fill a superbly mediocre family movie inspired by a real-life painting gorilla.
10 years later, Edgar Wright’s comic adaptation lingers for its bevy of influences as much as its originality.
A half-remembered tale of revenge, Park Chan-wook’s 2003 thriller is still as steeped in extreme cinema as it is ancient tragedy.
Rough around the edges but fascinating nonetheless, Park Chan-wook’s breakout hit remains a signal of his later work.
Hans Petter Moland’s adaptation of Per Petterson’s novel is a sensual look at growing up, but it’s more inert than introspective.
Now 10 years old, Adam McKay’s screwball screed against Wall Street is hindered by being a cop-centric affair.
Marc Munden’s adaptation of the Frances Hodgson Burnett novel is too myopic to fully bloom, but it has just enough flourishes to work.
Ramona S. Diaz’s latest documentary showcases Filipino journalist Maria Ressa’s fight against Philippines president Rodrigo Duterte.
Brandon Trost’s directorial debut finds two Seth Rogens balancing old, new, and distant family, to largely mixed results.
James D’Arcy’s directorial debut is a thin, derivative bore that wastes its otherwise-game cast.
Bennett Miller’s adaptation of Michael Lewis’ book is an overlong, overcrowded sports biopic partially redeemed by its cast.