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The House with a Clock in its Walls Review: Eli Roth Tries (and Succeeds) at Spooky Kid’s Fare

Fresh off a string of failed horror flicks, Eli Roth bounces back with an unexpectedly fun, faithful adaptation of John Bellairs’ classic kid’s adventure books. This piece was originally posted on Alcohollywood The prospect of grindhouse provocateur Eli Roth directing a four-quadrant kid’s flick is a dicey, but fascinating one – yet here we are ... The House with a Clock in its Walls Review: Eli Roth Tries (and Succeeds) at Spooky Kid’s Fare

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The Spool is an irreverent, informative source for film and television coverage, focused on diverse, thoughtful opinions that seek out a greater understanding of the media we love.

The Trailer for Gaspar Noé’s ‘Climax’ Does the Danse Macabre: Watch

Gaspar Noe’s kaleidoscopic Cannes favorite gets a new trailer and poster promising all the Satanic dance mayhem the French provocateur can muster. This piece was originally posted on Alcohollywood Gaspar Noé is no stranger to deeply weird, bold, provocative films – Enter the Void and Irreversible are practically the poster children for confrontational, arguably sexist European New Vulgar cinema. His ... The Trailer for Gaspar Noé’s ‘Climax’ Does the Danse Macabre: Watch

Fantasia 2018: Hurt Is Blumhouse’s Latest, Spookiest, Most Uneven Scare-Fest

Blumhouse’s latest thriller is tense and deceptively clever, but undoes its thrills with no shortage of irritating fakeouts. This piece was originally posted on Alcohollywood Trauma appears to be the monster in Sonny Mallhi’s Hurt, but things aren’t exactly as they seem. While the Blumhouse-produced thriller maintains an almost uncomfortable sense of tension, it suffers ... Fantasia 2018: Hurt Is Blumhouse’s Latest, Spookiest, Most Uneven Scare-Fest

Fantasia 2018: The Witch in the Window Scares Without a Drop of Blood

Andy Milton’s atmospheric haunted house film is inscrutably scary and beautifully lit, balancing bone-chilling existential horror with compelling domestic drama. This piece was originally posted on Alcohollywood Here it is, 2018’s version of The Witch and It Follows, a horror movie in which half its audience will appreciate its slow, moody burn, and the other ... Fantasia 2018: The Witch in the Window Scares Without a Drop of Blood

Unfriended: Dark Web Elevates Its Premise to Scarier Screen-Based Dimensions

The web-footage sequel to the first Unfriended sees the series move in more believably conventional directions, eschewing supernatural scares for more haunting domestic terrors. This piece was originally posted on Alcohollywood We live in an age of overwhelming technology. Most of us spend most of day in the digital world, our computers becoming individual microcosms ... Unfriended: Dark Web Elevates Its Premise to Scarier Screen-Based Dimensions

Fantasia 2018: Lifechanger is a Bleak & Eerie Story About Identity & Never Letting Go

Justin McConnell’s lean, fascinating horror-drama blends an intriguing structure with some novel investigation into the psychology of its shape-shifting horror monster. This piece was originally posted on Alcohollywood There’s stalking, and then there’s what the narrator of Lifechanger does. Canadian horror-drama from writer-director Justin McConnell, it jumps right into the action right away, with Drew, ... Fantasia 2018: Lifechanger is a Bleak & Eerie Story About Identity & Never Letting Go

Fantasia 2018: Lifechanger’s Justin McConnell on Shape-Shifting, Memory and Toxicity

The writer/director of Fantasia-debuting horror film Lifechanger talks about the origins of the project and getting into the mind of his film’s main monster. This piece was originally posted on Alcohollywood Lifechanger is a sneakier, more fascinating thriller than it might seem at first glance – the tale of a man doomed to feed off and ... Fantasia 2018: Lifechanger’s Justin McConnell on Shape-Shifting, Memory and Toxicity

Fantasia 2018: Satan’s Slave Review – Ghosts, Zombies and Sex Cults, OH MY!

A loose remake/prequel to the 1980 film of the same name, Satan’s Slave is a chilling story of how the sins of our parents haunt us in the present from director Joko Anwar. This piece was originally posted on Alcohollywood A grief-stricken family comes face-to-face with the aftermath of their recently deceased mother’s deal with ... Fantasia 2018: Satan’s Slave Review – Ghosts, Zombies and Sex Cults, OH MY!

Fantasia 2018: Mikhail Red Explores Violence, Morality and Family in Neomanila

Superbly acted and beautifully shot, Neomanila is a morally ambiguous tale about what we do to survive and crimes we commit for the ones we love. This piece was originally posted at Alcohollywood Set against the backdrop of President Duterte’s war on drugs in the Philippines, Neomanila is a grim and gritty tale of family ... Fantasia 2018: Mikhail Red Explores Violence, Morality and Family in Neomanila

INTERVIEW: Upgrade’s Leigh Whannell on Crafting the Futuristic World of BH Tilt’s Latest Thriller

This piece was originally posted on Alcohollywood Alcohollywood’s spinoff mini-cast On Tap returns! Every so often, we’ll be providing you with exclusive interviews, reviews and festival coverage alongside the regular podcast. Hope you enjoy! To kick off our (semi-) inaugural installment, Clint reviews Leigh Whannell’s upcoming sci-fi thriller Upgrade.  After losing his wife and the use ... INTERVIEW: Upgrade’s Leigh Whannell on Crafting the Futuristic World of BH Tilt’s Latest Thriller

The Endless Review: Chilling, Thought-Provoking Cult Horror On a Budget

Aaron Moorhead and Justin Benson’s otherworldly microbudget thriller combines cult dynamics and Lovecraftian horror to deliver something remarkably new. This piece was originally posted on Alcohollywood (Editor’s note: For more of our coverage of The Endless, we also interviewed writer/director/stars Justin Benson and Aaron Morehead, which you can find here.) Keeping the audience at a distance requires ... The Endless Review: Chilling, Thought-Provoking Cult Horror On a Budget