Nickelodeon’s teenage live-action reboot of the beloved children’s show brings a strong central performance and oodles of adventure.
The Wachowskis’ last theatrical film to date — a space opera with Channing Tatum as a roller-skating wolf man — is one of their most ambitiously corny efforts yet.
It doesn’t reach the swinging heights of Homecoming, but Jon Watts’ follow-up gets Marvel’s Phase Four off to a charming enough start.
The Matrix Revolutions, the Wachowskis’ final film in the trilogy, is just as flawed as Reloaded, but carries heaps of visual and thematic weight.
Michael Dougherty’s entry in the Americanized kaiju franchise is frightfully brain-dead, even for a summer blockbuster.
Miyazaki’s animated classic effortlessly blends magical realism with a relatable coming-of-age story about building community.
While it doesn’t have the reputation of Miyazaki’s later works, Studio Ghibli’s sophomore film serves as a lovely steampunk primer to the man’s filmography.
We chat with the creator of the podcast series Blockbuster about dramatizing the early creative partnership of Steven Spielberg and George Lucas
The Pokémon franchise takes some crazy swings with a noir adventure that admirably commits to its universe, but might only be for hardcore Poke-fans.
Before Studio Ghibli, Hayao Miyazaki honed his craft on one of the liveliest anime action-adventures of all time.
The war between the living and the dead reaches its apex in the long-awaited, but fairly boilerplate, climax of Game of Thrones.
Seth MacFarlane takes his love letter to Star Trek in a decidedly Star Wars direction, as The Orville closes out season 2 with an alternate dark timeline.
The MCU reaches a climax of sorts with the ambitious, three-hour Endgame, a satisifying end to the 11-year Marvel mythos to date.
Between its bevy of Trek alumni and effortless mixture of space spectacle and moral complications, this week’s Orville shines as one of the season’s best.
Adapting the Topps trading cards to cackling comic life, Tim Burton! offered a twisted alien invasion alternative to Independence Day.
The DCEU continues its upward trajectory with a flashy, fun, and surprisingly heartfelt teen superhero story.
Burton’s dark, misguided adaptation of Roald Dahl’s classic children’s novel ages particularly poorly among the rest of his works.
Situated halfway between Tim Burton’s Gothic beginnings and contemporary epics, Sleepy Hollow is a forgotten, thoroughly enjoyable Hammer Horror homage.