Marvel’s web-crawler predictably holds the box office, while The Farewell puts up a respectable showing for an A24 dramedy.
Culture clash and end-of-life issues collide in Lulu Wang’s scintillatingly heartfelt drama “based on an actual lie.”
In Ari Aster’s latest, sharing each other’s emotions is scarier than being alone.
The box office performance of Spider-Man: Far From Home helps drag a slower movie summer out of its funk, while Toy Story 4 keeps chugging along.
Ari Aster’s followup to Hereditary is a sun-dappled nightmare that finds liberation amongst the flames.
Joanna Hogg tells the story of a young artists’ maturity with an airtight structure and incredible performances.
David Robert Mitchell’s latest might just be reviled precisely because it prods at the solipsism of the film bros who tend to drag it.
Gaspar Noe’s kaleidoscopic Cannes favorite gets a new trailer and poster promising all the Satanic dance mayhem the […]
A24 continues its mean streak of unrelentingly interesting horror films, merging The Exorcist, The Witch and The Shining […]
Now that the 6th annual Chicago Critics Film Festival has closed, it’s time to look back on some […]
Andrew Haigh’s heartbreaking, poignant drama is a testament to our deeply human desire to belong, told through a […]