There is no fate but what we make, and Dark Fate‘s middling box office returns paint a grim […]
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The Disney sequel gets a modest #1 spot, while Zombieland: Double Tap scares up a respectable opening weekend.
Robert Pattinson and Willem Dafoe crash upon the ramparts of Robert Eggers’ disquieting followup to The Witch.
Daniel Scheinert scales back from his usual absurdist work for an ambitious medley of tones that doesn’t quite land.
The Seth Rogen-produced kiddie-raunch comedy starts strong, in an August that’s been largely underwhelming for the box office.
The latest Fast & Furious movie maintains a modest hold on the box office this weekend, while newcomer Scary Stories to Tell in the Dark makes a big splash for late-summer horror flicks.
Hobbs & Shaw raced into theaters last weekend and racked up a respectable box office showing, while The Farewell continued its upward trajectory.
Pippa Bianco dives headfirst into the complexities of life after sexual assault in a smartphone-heavy world.
Disney’s latest live-action remake ruled the kingdom, and other kid-friendly fare made a solid showing.
Marvel’s web-crawler predictably holds the box office, while The Farewell puts up a respectable showing for an A24 dramedy.
Culture clash and end-of-life issues collide in Lulu Wang’s scintillatingly heartfelt drama “based on an actual lie.”
In Ari Aster’s latest, sharing each other’s emotions is scarier than being alone.
The box office performance of Spider-Man: Far From Home helps drag a slower movie summer out of its funk, while Toy Story 4 keeps chugging along.
Ari Aster’s followup to Hereditary is a sun-dappled nightmare that finds liberation amongst the flames.
Joanna Hogg tells the story of a young artists’ maturity with an airtight structure and incredible performances.
David Robert Mitchell’s latest might just be reviled precisely because it prods at the solipsism of the film bros who tend to drag it.
Gaspar Noe’s kaleidoscopic Cannes favorite gets a new trailer and poster promising all the Satanic dance mayhem the […]
A24 continues its mean streak of unrelentingly interesting horror films, merging The Exorcist, The Witch and The Shining […]
