A cabin in the woods is once again the last place you’d want to spend a weekend in Nini Bull Robsahm’s competently made but slow & derivative horror movie.
Gus Van Sant’s remake of the Alfred Hitchcock classic is a cut-and-paste exercise that plays like little more than a rehash of the original.
Marcus Nispel’s confused, uninspired revamp of the franchise stresses the importance of not touching Jason’s stash of sticky-icky.
Rachel Lee Goldenberg’s remake of the 1983 rom-com is a light, airy work of kitsch that’s easy to fall into.
For the first film’s 40th anniversary, we hack and slash our way through the long, bloody saga of Jason Voorhees and his journeys from hell to Manhattan to space.
The iconic role-playing game gets a stylistic, narrative-focused update that expounds and confounds in fascinating ways.
Spike Lee’s Kickstarted remake of Ganja & Hess is more interesting than its negative reception belies.
Jonathan Demme’s remake of the 1962 classic is as notable for its look at political dehumanization as it is its modernization.
Jonathan Demme’s remake of Charade marks a low point in his career from casting and acting to pacing and direction.
Nat Faxon & Jim Rash’s remake of Ruben Östlund’s 2014 dramedy is a dragged-out rehash that oversimplifies its point—and then loses it.
Hulu’s gender flipped, more diverse take on Nick Hornby’s modern classic about entitled men-children has charm & heart.
Among the Mouse House’s stable of live-action remakes, this sequel to the 2014 prequel goes down a lot smoother than its contemporaries.
This English-language remake of the 2006 Danish drama stops short of having anything interesting to say about its privileged protagonists.
In 2005, Richard Linklater followed up School of Rock with the similarly-child-oriented remake of The Bad News Bears, to mixed results.
Never has something looked so photorealistic and felt so fake.
This weekend’s box office bode ill for Pixar’s Toy Story 4, which performed under expectations, and Child’s Play kicks off a modest opener.
While it doesn’t reach the heights of Pete’s Dragon, Tim Burton’s remake has its fair share of charms, and takes a few digs at the House of Mouse.
Director X’s slick, hip-hop fueled remake of the blaxploitation classic trades in 70s crime for music video slickness, […]