David Fincher’s Facebook drama remains a bright spot in Aaron Sorkin’s filmography in how it skewers male entitlement.
Cheap, creaky jokes and overstimulated filmmaking plague a too-late sequel no one asked for.
We talk to the director of the latest chiller from Fantasia about the hells of suburbia and working on his second film.
Jesse Eisenberg is a twerp falling down the toxic-masculinity rabbit hole in Riley Stearns’ insightful black comedy.
The seventh annual Chicago Critics Film Festival includes a 35mm print of Alien, as well as festival faves like The Nightinggale and Yesterday.
Jesse Eisenberg and Alexander Skarsgard try to make millions in milliseconds in this plodding critique of capitalism.