This piece was originally posted on Alcohollywood The Chicago International Film Festival keeps chugging along this week, and so does our coverage. From upcoming big indie films to smaller local works, to foreign films that may never see mainstream distribution here, CIFF is a great time to stock up on works you may not get ... CIFF Dispatch, Part 2: What They Had, Retablo, Maria By Callas, and More
This piece was originally posted on Alcohollywood As horror continues its gradual moving away from traditional monsters and slashers to rawer, more unsettling scares that are COMING FROM INSIDE THE HOUSE, we can look forward to more internet discourse about whether a movie qualifies as “horror.” This requires the sort of pedantry that is the ... Brooklyn Horror Film Festival Dispatch, Part 1: Tower. A Bright Day, Empathy, Inc., Antrum
This piece was originally posted on Alcohollywood The 54th Chicago International Film Festival is more than just an amped-up pledge drive for Cinema/Chicago – it’s a huge showcase for some of the biggest, most interesting films of the year, foreign or domestic. It’s always a treat to cover – I spent two years as a ... CIFF 2018 Dispatch, Part 1 (Feat. Interview w/Felix van Groeningen)
This Riverdale-ified reboot of Sabrina the Teenage Witch is chock-full of scares, sex and a hefty dose of camp, making for a 21st-century Gothic delight. This piece was originally posted on Alcohollywood It is not at all an astute, original observation that horror, even in a subtle way, tends to reflect current events. Vampires once ... Chilling Adventures of Sabrina TV Review: A Total Witch Hunt
Netflix’s latest creep-fest is a schlocky bore filled with predictable twists and some dodgy performances, though it’s mitigated with some genuine visual style. This piece was originally posted on Alcohollywood “Horror isn’t easy” is probably one of the greater understatements in the history of film. Sure, it’s easy to crank out an hour and a ... Malevolent Review: Netflix’s Latest is Stylish and Sloppy in Equal Measure
This piece was originally posted on Alcohollywood Now in its third year, the Brooklyn Horror Film Festival, taking place October 11th through the 18th, has become one of the fastest rising venues to catch the next best thing in scary movies months before everyone else gets a chance. This year’s line-up showcases both new faces ... Five Movies We’re Dying to See at the Brooklyn Horror Film Festival
Elizabeth E. Schuch’s spooky, atmospheric horror gem prefers to keep its tale of demonic birth and possession filled with atmospheric dread rather than outright shocks. This piece was originally posted on Alcohollywood Secluded from the world, convents offer filmmakers an isolated setting charged with religious significance. This combination especially lends itself especially to tales that ... The Book of Birdie Review: Atmospheric Chills Abound in This Convent Thriller
Sporting a brilliant ensemble cast, Drew Goddard’s throwback to the neo-noir crime films of Tarantino and Rodriguez is that rare example that actually works. This piece was originally posted on Alcohollywood It’s the sort of plot that’s been around for so long, Hollywood was essentially built on it: a bunch of ne’er do well strangers ... Bad Times at the El Royale Review: Good Times With Drew Goddard’s Gritty Ensemble
Netflix’s adaptation of the classic Shirley Jackson horror novel boasts a brilliant cast and some intriguing scares, but disappointingly reduces the book to a spooky soap opera. This piece was originally posted on Alcohollywood To ask “why was this made” when it comes to a remake or reboot is to be rhetorical – the answer ... The Haunting of Hill House: Netflix Adapts Shirley Jackson’s Novel, Loses Some of Its Essence
Shane Black returns to the macho 90s alien-hunter franchise he helped spawn, but his irreverent stamp (including a heaping helping of ableism) does more harm than good. This piece was originally posted on Alcohollywood On the surface, Shane Black seems like a great, if unexpected, fit for the Predator franchise. He’s a distinct, irreverent action-comedy ... The Predator Review: Shane Black’s Sequel Is One Messy Hunt
Jennifer Garner goes back to her Alias days as an ass-kicking action hero, but its muddy action and faux-Punisher derivations make it another late-August dud. This piece was originally posted on Alcohollywood The past few decades have seen an amazing resurgence in the vengeance film. In a world gone mad, it can be pretty cathartic ... Film Review: Peppermint Fails to Give Jennifer Garner a Minty-Fresh Franchise
Expanding the ever-widening Conjuring universe, this origin story/prequel of one of the universe’s spookiest threats is downright silly – which may not be the worst thing. This piece was originally posted on Alcohollywood Horror is arguably the genre that is the most dependent on its predecessors; every generation of horror filmmakers tries to recapture the ... Film Review: The Nun Is Campy Fun, But Relies on Some Bad Habits
Lewis Teague’s adaptation of Stephen King’s Cujo turns thirty-five today, and is a perfect example of the thrills and pitfalls experienced by the average King film adaptation. This piece was originally posted on Alcohollywood August marks 35 years since the release of the movie adaptation of Stephen King’s Cujo. A modest hit at the box ... 35 Years Later, Cujo Remains a Scary, Shaky Stephen King Adaptation
Gaspar Noe’s kaleidoscopic Cannes favorite gets a new trailer and poster promising all the Satanic dance mayhem the French provocateur can muster. This piece was originally posted on Alcohollywood Gaspar Noé is no stranger to deeply weird, bold, provocative films – Enter the Void and Irreversible are practically the poster children for confrontational, arguably sexist European New Vulgar cinema. His ... The Trailer for Gaspar Noé’s ‘Climax’ Does the Danse Macabre: Watch
The shark schlock comes at you hard, fast, and fun, as Jason Statham battles giant sharks with an international cast in the Deep Blue Sea remake you never knew you needed. This piece was originally posted on Alcohollywood Why release The Meg two entire weeks after Shark Week is over? It’s a perfect fit – ... The Meg is the Goofiest, Cheesiest, Most Sharktastic Fin-tertainment of the Summer
Blumhouse’s latest thriller is tense and deceptively clever, but undoes its thrills with no shortage of irritating fakeouts. This piece was originally posted on Alcohollywood Trauma appears to be the monster in Sonny Mallhi’s Hurt, but things aren’t exactly as they seem. While the Blumhouse-produced thriller maintains an almost uncomfortable sense of tension, it suffers ... Fantasia 2018: Hurt Is Blumhouse’s Latest, Spookiest, Most Uneven Scare-Fest
The web-footage sequel to the first Unfriended sees the series move in more believably conventional directions, eschewing supernatural scares for more haunting domestic terrors. This piece was originally posted on Alcohollywood We live in an age of overwhelming technology. Most of us spend most of day in the digital world, our computers becoming individual microcosms ... Unfriended: Dark Web Elevates Its Premise to Scarier Screen-Based Dimensions
Justin McConnell’s lean, fascinating horror-drama blends an intriguing structure with some novel investigation into the psychology of its shape-shifting horror monster. This piece was originally posted on Alcohollywood There’s stalking, and then there’s what the narrator of Lifechanger does. Canadian horror-drama from writer-director Justin McConnell, it jumps right into the action right away, with Drew, ... Fantasia 2018: Lifechanger is a Bleak & Eerie Story About Identity & Never Letting Go
The writer/director of Fantasia-debuting horror film Lifechanger talks about the origins of the project and getting into the mind of his film’s main monster. This piece was originally posted on Alcohollywood Lifechanger is a sneakier, more fascinating thriller than it might seem at first glance – the tale of a man doomed to feed off and ... Fantasia 2018: Lifechanger’s Justin McConnell on Shape-Shifting, Memory and Toxicity
Lisa Brühlmann’s Swiss coming-of-age mermaid tale is admirably shot and performed, but inadvertently hews too closely to similar teen-horror dramas of recent years. This piece was originally posted on Alcohollywood It’s almost a shame that Lisa Brühlmann’s Blue My Mind came out so close on the heels of Julia Ducournau’s Raw. One of the freshest, ... Fantasia 2018: Blue My Mind Is a Different Kind of Mermaid Story
A loose remake/prequel to the 1980 film of the same name, Satan’s Slave is a chilling story of how the sins of our parents haunt us in the present from director Joko Anwar. This piece was originally posted on Alcohollywood A grief-stricken family comes face-to-face with the aftermath of their recently deceased mother’s deal with ... Fantasia 2018: Satan’s Slave Review – Ghosts, Zombies and Sex Cults, OH MY!