“Scent of a Woman” proves a putrid example of early ’90s Oscar bait
1991's Scent of a Woman remains one of the most baffling recipients of Oscar gold, a prep-school drama lifted only by an early Philip Seymour Hoffman turn.
NYFF 57: “The Irishman” Is Scorsese’s Most Ambitious, Indulgent Film Yet
Martin Scorsese returns with another long, sumptuous opus, whose crackling performances and scintillating script are held up by some wonky de-aging tech and a leaden runtime.