It’s good, but Anthony Minghella’s 1999 adaptation really comes alive when Philip Seymour Hoffman’s scumbag enters the picture.
Finally out from under the shadow of its filmic inspiration, the Amazon series treads new ground in its second season.
Both tactile and ethereal, Gus Van Sant’s skateboarding drama saw him expand upon his neorealist work that spanned the 2000s.
Barbara Białowąs & Tomasz Mandes’ erotic drama has a truly gross premise and oodles of bad acting to leave you hot and bothered—or just bothered.
The adaptation of the first in Eoin Colfer’s series is alarmingly messy for a project that’s been in the works for almost two decades.
Far from good but definitely not boring, Frank Marshall’s adaptation of Michael Crichton’s novel is a sick day viewing that deserves its due.
Stephen Frears’ new miniseries is a deft three episodes that shifts perspectives and plots with ease, even if it doesn’t completely pay off.
Derek Cianfrance’s new miniseries avoids pitfalls with well-rounded characters and two terrific performances from Mark Ruffalo.
Coky Giedroyc’s adaptation of Caitlin Moran’s novel is a sharp comedy that gives Beanie Feldstein even more room to prove her talents.
Despite a solid supporting cast, Clark Duke’s debut is a small-scale caper with that doesn’t have the attention span to ever truly work.
Crystal Moselle adapts her 2018 indie into an HBO show, bringing the original cast along for the ride.
Newly restored in 4K by Indiecollect and released by Kino Lorber, Nancy Kelly’s 1991 western softly explores racial and gender-based oppression in late-1800s America.
Justin Kurzel puts manhood, infamous 1800s criminals, and the first feature film ever made into a bushranging blender.
Alien robots and evil Norse gods may prove a thrill to the multiplex, but here, they’re not much more intimidating than adolescence.
Building off the political intrigue of their first MCU entry, the Russo brothers further blended reality and fantasy in their second smash hit.
With production issues and a shift in the franchise’s creative team, Joss Whedon’s final MCU entry has just enough to work.
An unlikely team of heroes could have been a cliché, but Joss Whedon’s first foray into the MCU worked because it toyed with its moving parts.
Vin Diesel nicely keys into more stoic shootouts, but the movie around him can’t weld together its medley of genre inspirations.