Vin Diesel nicely keys into more stoic shootouts, but the movie around him can’t weld together its medley of genre inspirations.
Kelly Reichardt’s latest is a kindhearted storybook of a film that gracefully balances the sights, sounds, and textures of pre-Gold Rush Oregon.
With Pixar having one of their lowest openings yet, the box office experienced one of the worst weekends for this time of year in over a decade.
After 28 years, two sequels, and now with a reboot coming this June, Bernard Rose’s look at racial and economic disparity lingers the most in how it skewers the myth of the white savior.
Autumn de Wilde’s straightforward adaptation of Jane Austen’s novel has its charming moments, but that doesn’t make up for its missed opportunities.
Jonathan Demme’s remake of the 1962 classic is as notable for its look at political dehumanization as it is its modernization.
Disney continues to shuffle off Fox’s remaining output with this limp, awkward adaptation of the Jack London novel.
The iconic video game franchise gets a prickly, unoriginal adaptation that piles on the contrivances and dated references.
Jeff Wadlow’s adaptation of the late-’70s TV show is a thrill-free getaway that only entertains when it goes from generic to incoherent.
Apple TV+’s anthology series offers a complicated, relatable snapshot of the American melting pot.
The charming Canadian adaptation of L.M. Montgomery’s Anne of Green Gables comes to a lovely if untimely end.
Karim Aïnouz’s latest is an ambitious adaptation of two women separated by the patriarchy and the loneliness of family.
Sam Mendes’s tale of forlorn love works best as a study of the pitfalls that litter the American Dream.
Tom Hooper adapts the Andrew Lloyd Webber musical into a Cronenbergian hellscape of trippy man-cats and the barest sliver of story.
Damon Lindelof’s series comes to a conclusion that is as evocative and satisfying as it is rushed.
The showrunner of Amazon’s sci-fi space opera The Expanse talks about bringing the show from Syfy to its new home, and what’s in store for season 4.
The cult-hit space opera heads to Amazon for a bigger budget, wider scope, and renewed sense of purpose.
Alex Garland’s contemplative sci-fi stories imagine a world where destruction and liberation go hand in hand.