Hulu’s adaptation of the John Green novel explores the messy, furtive road of teenage love, warts and all.
Joker’s box office take this opening weekend is nothing to laugh at, as the DC Comics experiment paid off handsomely for Warner Bros.
Childe Roland to The Dark Tower came, and unfortunately, he brought all of us along with him.
Frank Darabont’s adaptation of the Stephen King story is one of the bleakest, most nihilistic takes on his material.
2007’s Stephen King thriller is a wonderfully economic take on the horror writer’s sensibilities, a real-time flytrap you can’t help getting stuck in.
For better or for worse, Lawrence Kasdan’s adaptation of Dreamcatcher captures the strange, ambitious essence of a Stephen King novel.
Mary Lambert’s 1989 adaptation of the Stephen King novel Pet Sematary doesn’t dig as deeply into parental anxiety and tension as it would like.
An eight-page horror story becomes a blashemous ’90s VR nightmare – one that Stephen King didn’t want his name attached to.
While it captures some of the melancholy of the acclaimed novel, John Crowley’s adaptation is too leaden and self-serious to really soar.
David Cronenberg’s psychological thriller stands as one of the best Stephen King adaptations of the ’80s.
Stephen King and George Romero’s ode to creepy comic anthologies is a schlocky, joyous riot.
The second half of Andy Muschietti’s Stephen King adaptation sinks under its mishmash of tones.
With the upcoming release of IT: Chapter Two, we traverse the long, creepy road down the various filmic adaptations of Stephen King’s work.
Kevin Costner growls out philosophical homilies in this treacly melodrama about a dog teaching his master how to love.
Richard Linklater’s latest removes the mystery from the Marie Semple novel, but ends up a flawed but welcome reflection on aging and creativity.
It may be prefaced by a brilliant, heartfelt short, but Sony Pictures Animation’s latest, like its adaptation, is a huge waste of time.
Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss can’t quite spice up the underdone intrigue of this ’70s-set comic book adaptation.
A late-summer adaptation of the Alvin Schwartz stories turns out to be one of the year’s biggest surprises in horror.