The Dead Center Review: Who Wants to Live Forever? Upstream Color's Shane Carruth stars in a haunting, atmospheric horror film about what lies beyond the pale.
The Addams Family Review: A Real Case of the Wednesdays This animated reboot of TV's spookiest family plays its kid-friendly scares a bit too safe.
Review: “El Camino: A Breaking Bad Movie” Is a Killer Follow-Up Vince Gilligan returns to the fate of Jesse Pinkman in a thrilling, meditative neo-Western epilogue made strictly for Breaking Bad devotees.
Gemini Man Review: Not Even Three Will Smiths Could Have Saved It Ang Lee's ambitious young-vs-old futuristic thriller is a misfire of cranked-up frame rates and muddled plotting.
Fractured Review: Let’s Play Guess The Twist! Brad Anderson’s latest thriller suffers from a predictable script.
TV On Becoming a God in Central Florida Recap: “Birthday Party” The road to success (whatever that means) suddenly gets a little more convoluted as Krystal receives some unexpected career counseling.
In Search of Darkness Review: The Definitive ’80s Horror Documentary is Here Just in time for Halloween, this monster-sized look at the most important decade in horror is thorough, affectionate, & endlessly entertaining.
TV Succession Recap: The Roys Go to “DC” For Some Major Damage Control A shockingly-timely Succession lets all manner of narrative chickens come to roost.
Festivals NYFF: “The Whistlers” Never Rises Above a Whisper Romania's Corneliu Pourumbiou bogs down excellent production design in droopy, exposition-heavy noir trappings.
First Love Review: Miike Maintains His Madcap Mania Takashi Miike's gazillionth film is a riotous yakuza caper that traffics in the filmmaker's impeccable balance of extremes.
The Laundromat Review: Money, It’s a Gas Steven Soderbergh serves up a messy capitalist critique in the shell of a slick, simplistic essay film.
Features October’s Filmmaker of the Month: Martin Scorsese This month, we celebrate The Irishman by looking back on the works of one of New Hollywood's most enduring voices.
Joker Review: Let’s Put a Sneer On That Face Todd Phillips' seedy, 3edgy5me imagining of the Clown Prince of Crime is as artfully made as it is disturbingly retrograde.
TV On Becoming a God in Central Florida Recap: “Flint Glass” The lies & deception are piling up like FAM boxes as Cody dedicates himself yet again to the holy church of Obie.
TV Succession Recap: “Dundee” Reckons With Logan’s Legacy A trip to Logan's childhood home threatens to fracture the family even further, as Rhea continues to squeeze her way into the Roy's inner circle.
Festivals NYFF 57: “Synonyms” Is an Israeli Drama Packed With Meaning Nadav Lapid's latest film loads its narrative with impactful stories about masculinity, language, and nationality.
Festivals NYFF 57: “Pain & Glory” Is Sumptuous, Autobiographic Almodóvar Pedro Almodóvar graces us with a shaggy but rewarding portrait of a middle-aged director wrestling with his demons, with an arresting turn by Banderas.
Filmmaker of the Month “The Dark Tower”: There Are Better Films Than These Childe Roland to The Dark Tower came, and unfortunately, he brought all of us along with him.
Filmmaker of the Month Society and Safety Get Lost in “The Mist” Frank Darabont's adaptation of the Stephen King story is one of the bleakest, most nihilistic takes on his material.
Filmmaker of the Month Check In To “1408”, No Reservations Needed 2007's Stephen King thriller is a wonderfully economic take on the horror writer's sensibilities, a real-time flytrap you can't help getting stuck in.
The Death of Dick Long Review: Fargo Goes South Daniel Scheinert scales back from his usual absurdist work for an ambitious medley of tones that doesn't quite land.