Columns P.S.H. I Love You: “The Master” is the definitive role of Philip Seymour Hoffman’s career We close out our year-long exploration of one of cinema's greatest artists with his mesmerizing turn as Lancaster Dodd.
Features PSH I Love You: The pitch-perfect scumbag from Punch-Drunk Love PTA's Adam Sandler romance sees the great Philip Seymour Hoffman play a loathsome sleazebag.
Columns P.S.H. I Love You: repairing the world in Magnolia One of Philip Seymour Hoffman's finest moments has him playing a beacon of comfort and compassion.
Columns P.S.H. I Love You: On Hoffman’s first great turn in PTA’s Boogie Nights PSH makes the most out of sparse screentime in Paul Thomas Anderson's 1997 classic.
Features P.S.H. I Love You: Hard Eight – it’s always good to meet a new friend The 1996 crime drama marked the beginning of a beautiful partnership.
Columns P.S.H. I Love You: “My New Gun” & a leap of faith Even in his early screen appearances, Philip Seymour Hoffman knew exactly what he was doing.
Features P.S.H. I Love You: Hoffman is the best part of “A Most Wanted Man” Philip Seymour Hoffman classes up an otherwise dull and contrived spy drama.
Features P.S.H. I Love You: Hoffman finds the melody in “A Late Quartet” Hoffman's passion & humanity makes what could be a dull story of classical musicians fascinating.
Features P.S.H. I Love You: Get away from “The Getaway” Even early in his career, Philip Seymour Hoffman is too good for this dull shoot-em-up.
P.S.H. I Love You “The Hunger Games: Mockingjay” is a strange final film for Philip Seymour Hoffman Philip Seymour Hoffman's final role, as a CG-assisted reprise in the final Hunger Games films, is more a commemoration than a performance.
Features P.S.H. I Love You: Hoffman elevates “Catching Fire” In a rare big budget franchise appearance, Philip Seymour Hoffman gives some gravitas and nuance to the "Hunger Games" series.
Features P.S.H. I Love You: Skip his small role in “Strangers With Candy” Only diehard Hoffman completists need to see his appearance in the movie spinoff of the poorly aged Comedy Central cult sitcom.
Columns P.S.H. I Love You: “God’s Pocket” is hardly sterling cinema The last Philip Seymour Hoffman to premiere before his passing, God's Pocket is a needless farce from Mad Men's John Slattery.
Columns P.S.H. I Love You: “Owning Mahowny” gambles on Hoffman’s charisma Owning Mahowny features one of Philip Seymour Hoffman's best performances as a gambling addict, but keeps its stakes (and ambitions) low.
Columns P.S.H. I Love You: “Pirate Radio” sinks under its own weight Philip Seymour Hoffman does his best to lift up Richard Curtis' (literally) queasy ode to '60s boomer rock hits.
Columns P.S.H. I Love You: “Money for Nothing” puts Hoffman in dire straits John Cusack tries to make off with a million bucks in this queasy but charming crime caper, with Philip Seymour Hoffman in tow.
Columns PSH I Love You: Hoffman blinks in and out of “Next Stop Wonderland” Philip Seymour Hoffman plays a selfish ex in this Hope Davis-led indie romance.
Columns P.S.H. I Love You: “Love Liza” is an agonizing cry from the heart Philip Seymour Hoffman's first lead role is a one-man show of raw human emotion.
Columns P.S.H. I Love You: “Patch Adams” is dead on arrival Robin Williams smarms his way through his misguided, treacly 1998 medical dramedy.
Columns P.S.H. I Love You: “Flawless” is anything but Joel Schumacher's well-intentioned buddy dramedy puts Philp Seymour Hoffman in the role of a trans woman, to outdated result.
Features PSH adds a dose of comedy to a sweetly old-fashioned drama Nobody's Fool features a late-in-his-career Paul Newman at his best, and Bruce Willis when he still cared.