Thirty years ago, The Abyss saw James Cameron pivot away from masculine action pictures into more humanist filmmaking.
Author: Chris Ludovici
Michael Winterbottom’s loving tribute to the Manchester music scene still maintains its quirky-cool vibe.
2019 is a year chock-full of James Cameron film anniversaries, and we start with one of his more flawed, but deconstructionist action flicks.
The Wachowskis’ kaleidoscopic 2008 adaptation of the clasic ’60s anime is as bright, bold and weird as the rest of their late-period output.
Amazon’s adaptation of the Neil Gaiman/Terry Pratchett novel is an unwieldy but charming tale of finding love in the darkest places.
While it doesn’t have the reputation of Miyazaki’s later works, Studio Ghibli’s sophomore film serves as a lovely steampunk primer to the man’s filmography.
Burton’s most deeply personal film is his humanistic, black-and-white celebration of the Worst Filmmaker of All Time.
We take a look at the state of female-led superheroes up to this point, from the lows of Catwoman to the highs of Wonder Woman and Captain Marvel.
Robert Rodriguez and James Cameron adapt the 90s anime to full, Uncanny Valley effect, and if you’re into that sort of thing it excels.
The Wachowskis’ seminal sci-fi trilogy hits 4K today ahead of the first Matrix’s 20th anniversary. In honor of […]
