Amazon Prime’s latest series tries for gritty crime thriller, but ends up in unintentional camp territory.
Netflix’s adaptation of the bestselling psychological thriller starts out on steady footing, but quickly loses its way.
Maggie Friedman’s adaptation of the Kristin Hannah novel wastes two charming performances by Katherine Heigl and Sarah Chalke.
Alan Tudyk hams it up as an alien on a secret mission in a small town in Syfy’s mismatched fish out of water comedy.
Disney+’s first real time at bat for the MCU on television is a sprightly, experimental series that makes great, if deliberately-paced, use of its premise.
The dark comedy continues to be an excellent exploration of millennial ennui.
CBS All Access has managed to create an anti-hero drama as unpleasant as it is dull.
A third season filled with dramatic narrative shakeups ends in the most abrupt, contrived way possible.
Chris Chibnall’s run of the show continues to frustrate with an overstuffed, meandering New Year’s special with all the highs and lows of his era.
The Netflix series feels as much about the components of Fincher’s exacting style as it does the origins of forensic profiling.
Action movie antics and rescue missions ensue upon the Emerald Chain’s invasion.
Netflix’s campy, grimy retelling of the teen witch tale reaches its end, dutifully sending off its characters before overstaying their welcome.
From BoJack to What We Do in the Shadows, we break down the TV that got us through a hellish year.
Amazon Prime Video’s sci-fi series returns for another season of intergalactic intrigue, with a greater emphasis on its characters.
A new villain appears while Staments, Adira, and Tilly get closer to The Burn.
Michael Burnham finally figures out who she is, as the Vulcans and Romulans return to the Star Trek […]
Some season 1 faces return & we get an idea of why the Child is such a highly coveted bounty.
The cast of the popular 90’s sitcom comes together for an oddly bittersweet look back.