Toni Collette tries to elevate a by-the-books horse racing drama that’s long on horse racing and short on actual drama.
Adam Elliot’s claymation offering was Philip Seymour Hoffman’s only animated film, but it’s as thorough as his other efforts.
Charlie Kaufman directs one of the most subtly horrifying movies of the year.
Our penultimate CIFF dispatch breaks down Rian Johnson’s star-studded caper Knives Out, the Georgian queer drama And Then We Danced…, and more.
Netflix’s new miniseries illustrates the painful, ugly road to justice after a sexual assault.
Haley Joel Osment’s gripping performance elevated M. Night Shyamalan’s second feature to a horror masterpiece.
Day 4 of Sundance shows us a neon-lit social media nightmare in Share, as well as Dan Gilroy’s arch, uneven art world critique Velvet Buzzsaw.
High art meets low-grade horror in Dan Gilroy’s big, chancey dark satire of the high-priced modern art market.
A24 continues its mean streak of unrelentingly interesting horror films, merging The Exorcist, The Witch and The Shining […]