Philip Seymour Hoffman plays the ultimate lackey in The Coen Brothers’ gleefully silly stoner comedy.
William Greaves’ avant-garde meta-doc, David Cronenberg’s work of grand theft autoerotica, and Innaritu’s dizzying debut mark this month’s Criterion entries.
Robert Rodriguez’s official arrival on the major-studio film scene remains a riotous, stylish pulp actioner.
Judd Apatow’s latest is just as overlong and meandering as his usual fare, but boasts a surprising turn from Pete Davidson.
Jim Jarmusch’s laidback anthology of fateful celebrity meetings lays bare the communal value of commodity.
Jim Jarmusch’s atmospheric ode to Elvis and the fleetingness of time holds up more than 30 years later as one of his best works.
Quentin Tarantino’s breakout debut feature is a bloody distillation of his best and worst instincts.
Our monthly TV podcast debates which character from David Chase’s seminal mob drama wins out over the rest.
The third entry in Sony Pictures’ kids’ films about animated monsters is fun, flighty and surprisingly layered, with […]
Andrew Haigh’s heartbreaking, poignant drama is a testament to our deeply human desire to belong, told through a […]