Disney+ and Nat-Geo re-adapt the tale of the early days of the Space Race into a mature, grounded astronaut drama.
Ron Howard’s gripping historical space thriller teaches us a lot about frustrated expectations in our current moment (and the resolve to overcome them).
New Line sends Jason to the final frontier, and sends all the thinly-drawn characters and low-budget kills of the franchise with him.
The Office’s Greg Daniels and Steve Carell reunite for a clunky satire of Trump-era politics.
“Et in Arcadia Ego, Part 2” rushes to its finale and cheats its way to emotional catharsis.
Synths, secret sons and doomsday prophecies arise in a messy penultimate episode establishing galaxy-ending stakes.
The overarching conspiracy cracks open on an episode that sets up the finale.
An interstitial episode finally bridges Picard and Soji’s stories, thanks to the welcome return of some old friends.
A sea of good ideas gets drowned in cliche as Picard and Soji face the truth.
Season 12 ramps up the tension with a thrilling hour that threatens lore-shattering conclusions next week.
The show finally finds its groove with a detour, an abandoned boy, and a lost cause.
Synthetic threats and synthetic relationships pepper Picard’s “gather the team” episode.
The latest episode tries to be a corridor-chasing lark and a climate change allegory and fails mightily at both.
From the first time we meet Baby Yoda to the final trek of the Razor Crest, we look back at the highs and lows of The Mandalorian’s first season.
Ronald D. Moore’s alt-history space race series proves to be one of Apple TV+’s most alluring offerings.
Waistcoats and pageantry rule the day at the box office, while Brad Pitt’s cerebral sci-fi drama Ad Astra puts on a respectable showing.
Brad Pitt seeks the divine amongst the stars in James Gray’s flawed but mesmerizing space epic.
The Wachowskis’ last theatrical film to date — a space opera with Channing Tatum as a roller-skating wolf man — is one of their most ambitiously corny efforts yet.