Michelle Pfeiffer dominates Azazel Jacobs’ dry comedy about a formerly wealthy widow who travels to Paris for one last hurrah.
Jonathan Demme directed Michelle Pfeiffer in a winning performance in a feminist take on screwball comedy.
Martin Scorsese’s scintillating period romance is a Victorian treatise on the sufficating gulf between desire and decorum.
Among the Mouse House’s stable of live-action remakes, this sequel to the 2014 prequel goes down a lot smoother than its contemporaries.
Tim Burton’s recent films are dismissed as confused (dark) shadows of his career heights, but they contain brief glimmers of the filmmaker’s return to form.
Tim Burton’s superhero sequel saw the endlessly strange auteur run away with big studio money to make the most relentlessly weird comic book film ever.
Marvel’s first placeholder till the next Infinity War is a more assured caper comedy than the first Ant-Man, […]