A new exhibition at the Art Institute of Chicago highlights the transgressive days of dial-up camp.
Jeff Orlowski’s documentary about the effects and ethics of social media lacks enough emotional depth or practical solutions to work.
Eugene Kotlyarenko’s satire about a rideshare driver who murders for online fame lacks the bite or nuance its premise deserves.
Nora Ephron’s charming Tom Hanks/Meg Ryan comedy also makes the case for letting yourself be vulnerable and brave.
Anchored by a layered lead turn from John Cho, Aneesh Chaganty’s screens-only thriller explores the formal implications of […]
The web-footage sequel to the first Unfriended sees the series move in more believably conventional directions, eschewing supernatural […]