The director of the Sundance favorite discusses her coming-of-age tale Hala.
indie
Seahorse, The First Rainbow Coalition, and debut feature The Vast of Night highlight our last day of CIFF capsule reviews.
Upstream Color’s Shane Carruth stars in a haunting, atmospheric horror film about what lies beyond the pale.
Flavio Alves’ story of a trans immigrant in New York City may be rough around the edges, but it serves as important advocacy.
Hannah Pearl Utt tackles the timeless theme of family with a solid directorial debut.
Jillian Bell whips her life into shape in a fitness-focused dramedy that largely sidesteps the pitfalls of inspiration porn.
The Seth Rogen-produced kiddie-raunch comedy starts strong, in an August that’s been largely underwhelming for the box office.
It’s a little Sundance-y, but Tyler Wilson and Michael Schwarz craft a smart, balanced indie that avoids the usual pitfalls of the way movies tend to treat disability.
Linklater’s Before Trilogy – Before Sunrise, Before Sunset, and Before Midnight – is an eye-catching crystallization of how relationships change over time.
Richard Linklater’s directorial debut about colorful weirdos introduced both a new word into the American vernacular & a talent to be reckoned with.
Despite its stellar cast, including Kaitlyn Dever and Olivia Colman, this indie cult drama slithers away from itself a bit too often.
The writer/directors of Fantasia fave Freaks, talk about the lo-fi origins of their unconventional superhero story.
In honor of Where’d You Go, Bernadette?, we take a closer look at the prolific indie pioneer.
Avi Belkin’s split-screen view of the firebrand 60 Minutes reporter offered a flawed, but empathetic picture of one of journalism’s last great titans.
Jordan Graham’s minimalist supernatural horror will get under your skin in ways you won’t see coming.
Gerald Fox’s 2005 documentary on the acclaimed documentarian finally sees the light of day.
The South rises again thanks to the effortless comic charms of Lynn Shelton and Marc Maron.
Culture clash and end-of-life issues collide in Lulu Wang’s scintillatingly heartfelt drama “based on an actual lie.”
