Ethan Hawke chews the scenery in a historical drama that gleefully plays around with the truth.
In his latest anti-biopic, Michael Almereyda drenches the life of the famed inventor in layers of enticing artifice.
A puzzle of a thriller, Sidney Lumet’s final film slides its script and performances together with ease.
Hirokazu Kore-eda’s first film outside of his native Japan is a light, star-studded family affair of modest potential and diminishing returns.
Today’s CIFF dispatch includes family drama The Truth, death-row issue film Clemency, Guatemalan queer drama Tremors, and the gonzo Twentieth Century.
Both a “masterpiece” and a “self-indulgent bore,” Richard Linklater’s passion project captured the painful fleetingness of life.
Richard Linklater’s 2001 rotoscope experiment gets lost in philosophical aimlessness.
Linklater’s Before Trilogy – Before Sunrise, Before Sunset, and Before Midnight – is an eye-catching crystallization of how relationships change over time.
In honor of Where’d You Go, Bernadette?, we take a closer look at the prolific indie pioneer.
On the film’s thirtieth anniversary, we look back at Peter Weir’s intricate drama and the inherent tragedy of seizing the day.
A quarter of a century later, Reality Bites offers a frustratingly incomplete portrait of the MTV generation.
The Chicago Film Critics Association’s 6th annual film festival (May 4-10) features some of the year’s best films […]