The MCU reaches a climax of sorts with the ambitious, three-hour Endgame, a satisifying end to the 11-year Marvel mythos to date.
Suranne Jones captivates as historical feminist and lesbian Anne Lister in a messy, but insightful HBO miniseries that overcomes its own stylistic crutches.
Brienne gets knighted, Arya checks something off her bucket list, and Dany reckons with Jon’s parentage in another leadup to Game of Thrones’ big battle.
Jennifer Kaytin Robinson’s unconventional combo of rom-com, BFF dramedy and a million other genres charms thanks to Gina Rodriguez and Lakeith Stanfield.
Our exploration of black women directors continues with a look at Gina Prince-Bythewood’s sensitive, layered romantic drama.
Tessa Thompson and Lily James are two sisters struggling with rural poverty and difficult choices in this gripping, but uneven drama.
Adrianne Palicki pulls double duty in an Ed-Kelly episode that explores what could have been, and what might still be.
Max Minghella’s directorial debut is a neon-dredged pop curio that features a one-note script that doesn’t exactly serve Elle Fanning’s game lead turn.
We take a look at the ways Pam Grier, Tamara Dobson, and other blaxploitation stars elevated their iconic characters beyond white-written stereotypes.
Our monthly TV podcast debates which character from David Chase’s seminal mob drama wins out over the rest.
From Bound to Sideways to Romy and Michelle, this year’s Ebertfest was a celebration of the weird, eclectic, and fantastic films Roger Ebert loved.
Molly Shannon and Amy Seimetz shine in this warm, tender, humanizing portrayal of the famously enigmatic poet.
A pioneering work of Black Queer Cinema, Cheryl Dunye’s vibrant “Dunye-mentary” reckons with traditional queer narratives and the racism of Old Hollywood.
We interview the Starfish director about making his first feature, paying homage to a close friend, the film’s Silent Hill nods, and more.
Between its bevy of Trek alumni and effortless mixture of space spectacle and moral complications, this week’s Orville shines as one of the season’s best.
The latest in “Christploitation” features a relevant cast, capable direction & a message of hope instead of fear.
Solid lead performances are little compensation for more feel-good “can’t we all just get along?” Oscar bait.
Chinese auteur Jia Zhangke returns to long-form storytelling with this feature-length tale of the twisted romance between a gangster and his moll.