John Patrick Shanley’s Catholic Church-set drama is mildly effective and well-acted but too tidy for its subject matter.
Kathryn Bigelow’s most recent film is a brutal, unblinking look at police brutality.
FX and BBC’s adaptation of Rumer Godden’s 1939 novel is a well-acted and handsomely mounted, if baggy, miniseries.
Jennifer Leitzes’ only feature is an uneven genre piece with a good few moments, some thanks in part to Philip Seymour Hoffman.
The Hulu original series about the Syrian Civil War offers strong performances and unexpected dark humor.
David Fincher’s biopic of Citizen Kane writer Herman J. Mankiewicz is a slick, cynical reframing of Hollywood’s Golden Age.
Adam Elliot’s claymation offering was Philip Seymour Hoffman’s only animated film, but it’s as thorough as his other efforts.
The Netflix period drama returns for a fourth season full of typically stellar performances and unflinching storytelling.
Edoardo Ponti’s adaptation of the 1975 novel The Life Before Us feels more than a little familiar, but stars a fantastic cast.
Guy Burt combines the quirky fun of a teen James Bond with espionage drama in the adaptation of the popular book series.
Gabriel Mascaro’s sci-fi drama is an eye-catching effort that doesn’t have as much to say as it thinks it does.
Rob Ford & Maurice Holden’s new documentary series doesn’t go deep enough to do its rich story justice.
Eva Green stars as a female astronaut who overcomes sexism and her own doubts for a journey into the universe.
Kathryn Bigelow’s directorial debut has its standout elements but is overall too detached for its own good.
Director Felipe Mucci delivers a crime thriller that’s heavy on darkness but light on substance.
After digressing from the horror genre, Sam Raimi’s 2000 effort marked an affecting supernatural tale with solid performances.
Aubrey Plaza is outstanding in a surreal comedy-drama about artistic integrity.
Multihyphenate Radha Blank makes herself known in her latest, a familiar story with enough of its own flavor.