Switching from slasher to sci-fi comedy, the sequel to the first Happy Death Day is a light, breezy delight.
Superheroes, loud women, and realistic space opera serve as your streaming recommendations this week.
The Tarell Alvin McRaney-penned basketball drama highlights the commodification of young black men both on and off the court.
Our Sundance coverage wraps up with a triple feature of a 1980s art-school personal essay, a documentary from China, and a haunting child-soldier tale.
On the podcast, RIchard Dreyfuss talks about his career and love of civics, plus two exciting young composers talk about their latest entries in Sundance.
Two insightful docs about the pitfalls of modern technology pair with a tepid Adam Driver-led political drama and Tim-and-Eric-style comedy at Sundance.
Day 4 of Sundance shows us a neon-lit social media nightmare in Share, as well as Dan Gilroy’s arch, uneven art world critique Velvet Buzzsaw.
High art meets low-grade horror in Dan Gilroy’s big, chancey dark satire of the high-priced modern art market.
New thrillers from Jennifer Kent and Babak Anvari highlight Day 3 of our Sundance coverage.
Day 2 of our Sundance coverage covers comedies starring Jillian Bell and Pete Davidson, and a tepid political thriller starring Keira Knightley.
From droll Heathers homages to docs about pioneering female sailors, Matt Cipolla breaks down his first day at Sundance.
FOX’s live production of Rent was marred by well-intentioned miscasting and the last-minute injury of an actor, making most of the night decidedly un-live.
The Orville crew butt heads with a world that shuns people based on their Zodiac sign, in a premise straight out of Star Trek: The Next Generation.
Netflix’s latest sci-fi drama is as lifeless as the polluted future Earth of its setting.
HBO’s latest is a didactic lecture of a Brexit primer whose handsome performances hide a smug political nihilism.
Alara gets her last hurrah in a shockingly well-rendered showcase for Halston Sage, saying goodbye to one of […]
Bryan Cranston and Kevin Hart serve up surface-level schmaltz in this treacly disabilities drama.
The Jane Fonda-Lily Tomlin Netflix sitcom stumbles a bit as it enters its golden years.