Superbly acted and beautifully shot, Neomanila is a morally ambiguous tale about what we do to survive and crimes we commit for the ones we love. This piece was originally posted at Alcohollywood Set against the backdrop of President Duterte’s war on drugs in the Philippines, Neomanila is a grim and gritty tale of family ... Fantasia 2018: Mikhail Red Explores Violence, Morality and Family in Neomanila
Hausu’s Nobuhiko Obayashi starts wrapping up his 60-year career in filmmaking with a deeply weird, compellingly stream-of-consciousness wartime drama. This piece was originally posted on Alcohollywood Nobuhiko Obayashi is one of Japan’s veteran suppliers of the weird and fantastical – despite a career spanning nearly forty films, his most famous international export is 1977’s kaleidoscopic, ... Fantasia 2018: Hanagatami Review – The Director of Hausu Confuses and Delights in His Final Epic
While the Rock maintains his larger-than-life presence, this taller Die Hard knockoff buckles under the weight of its sizeable lack of humor. This piece was originally posted on Alcohollywood Ever since my childhood days of watching professional wrestling, I’ve wanted Dwayne “The Rock” Johnson to succeed. Whether it was in the ring (where he would ... Skyscraper Review: The Rock Cooks Up Another Underdone Summer Thriller
This piece was originally posted on Alcohollywood If you want festivals full of soulful contemplation of the human condition, and solemn documentaries about Serious Issues, Cannes and Sundance have you covered. Want to see blood, gore, sleaze, and Nicolas Cage getting in a chainsaw fight? You go to Fantasia. Fantasia is a genre film festival ... Four Crazy Horror Flicks We Want to See at Fantasia
Boots Riley’s wild feature film debut throws racial politics, consumerism, and magical realism in a blender, making for a comedy that’s as unpredictable as it is hilarious. This piece was originally posted on Alcohollywood Capitalism is a hell of a drug – it lulls you in with the promise of wealth and success, and all ... Sorry to Bother You Review: Boots Riley Takes On Consumerism, Race in Scorchingly Funny Debut
We interview queersploitation provacateur Bruce LaBruce about queer cinema, working on a low budget, and his latest feminist satire The Misandrists. This piece was originally posted on Alcohollywood Arthouse queer enfant terrible Bruce LaBruce has crafted an interesting career as an underground director of gory, sexy, splatter-ific screeds on radical topics like terrorism, feminism, and gay ... INTERVIEW: Bruce LaBruce on The Misandrists, Pornography and Feminist Brain-Swapping
Bruce LaBruce’s reputation as a bad-taste provocateur gleefully continues with this campy exercise in sex, sleaze, and political satire. This piece was originally published on Alcohollywood A transgressive artist’s main job should be to make people uncomfortable, and director Bruce LaBruce does his job very well. For over thirty years, LaBruce has been mixing art ... The Misandrists Review: Bawdy, Transgressive Satire from Bruce LaBruce
Netflix’s latest thriller about a young girl trapped in a smart house is pure, unapologetic schlock, with workmanlike performances and plot holes you could throw a supercomputer through. This piece was originally posted on Alcohollywood Tau, Netflix’s latest original fim, tells the story of Julia (Maika Monroe), a street-smart gal who uses her wiles to steal ... TAU Review: Netflix’s Perplexing Smart House Thriller
Director X’s slick, hip-hop fueled remake of the blaxploitation classic trades in 70s crime for music video slickness, and is none the better for it. This piece was originally posted on Alcohollywood Beyond its artistic and entertainment value, a film is also a snapshot of the era in which it was made. In film, we ... SuperFly Review: A Gritty Remake That’s Far From Groovy
Drew Pearce’s pulpy near-future potboiler about a futuristic hotel/hospital for bad guys lets its stacked cast have fun amongst some shaky plotting. This piece was originally posted on Alcohollywood Grungy, retro sci-fi seems to be making a comeback the last few years – cyberpunk potboilers whose scripts wouldn’t be out of place in a direct-to-video ... Hotel Artemis Review: A Grungy Sci-Fi Shoot-’em-Up With a Five-Star Staff
A24 continues its mean streak of unrelentingly interesting horror films, merging The Exorcist, The Witch and The Shining into pure cinematic nightmare fuel. This piece was originally posted at Alcohollywood From its opening frames, Hereditary digs its claws into you and doesn’t let go. A long, slow tracking shot pans across the workroom of Annie ... Hereditary Review: A24 Keeps Haunting, Existential Horror in the Family
This piece was originally posted on Alcohollywood Alcohollywood’s spinoff mini-cast On Tap returns! Every so often, we’ll be providing you with exclusive interviews, reviews and festival coverage alongside the regular podcast. Hope you enjoy! To kick off our (semi-) inaugural installment, Clint reviews Leigh Whannell’s upcoming sci-fi thriller Upgrade. After losing his wife and the use ... INTERVIEW: Upgrade’s Leigh Whannell on Crafting the Futuristic World of BH Tilt’s Latest Thriller
Netflix’s Australian zombie drama sports some fascinating twists on the undead genre, and drips with as much atmosphere as it does infected blood. This piece was originally posted on Alcohollywood Zombie movies can often be judged by the balance they strike between the expected rules of a well-traveled world and the twists each new film ... Cargo Review: Netflix’s Sprawling, Intimate Zombie Travelogue
The Merc With a Mouth is back in a sequel with more slicing, dicing and R-rated quips – but it’s only a slight improvement over the sophomoric original. This piece was originally posted on Alcohollywood While Marvel Studios seems to have solved the equation for how to make great (or, at their worst, pretty passable) ... Deadpool 2 Review: Ryan Reynolds Returns for More Quips, Gore and Gags
This over-the-top throwback to exploitation and queer films from the 60s and 70s revels in its tastelessness, delivering an edgy yet affectionate ode to its fruity forebears. This piece was originally posted on Alcohollywood The last few decades have seen a significant change in the way GLBTQ people are perceived by the general public. In ... Fags in the Fast Lane Review: A Madcap Race to Campy Bad Taste
The Chicago Film Critics Association’s 6th annual film festival (May 4-10) features some of the year’s best films that might otherwise fly under your radar. This piece originally posted at Alcohollywood For the past six years, the Chicago Critics Film Festival has been a brilliant showcase for some of the year’s most intriguing, bewildering and ... A Preview of the 2018 Chicago Critics Film Festival
The latest from Japanese horror schlockmeister Ryuhei Kitamura (Midnight Meat Train) makes a tedious mess out of its stripped-down, gory premise. This piece was originally posted on Alcohollywood On a lonely stretch of road in the middle of nowhere, a tire blows out, stranding six twentysomethings by the roadside in an isolated stretch of California ... Downrange Review: Shudder’s Roadside Sniper Thriller Misses the Mark
The latest microbudget spook-em-up from Blumhouse Productions is long on dares and short on scares. This piece was originally posted on Alcohollywood Hoping to cash in on the success of the Ouija film series, Blumhouse Productions (Get Out, The Purge, The Shallows) has given us Blumhouse’s Truth or Dare, the latest in a trend of ... Truth or Dare Review: Blumhouse’s Latest Delivers Modest Sleepover Scares