Wyrm writer/director Christopher Winterbauer sits down at Fantastic Fest to talk about the analog appeal of ’80s kitsch and adapting shorts to features.
90s
For the classic sitcom’s 25th anniversary, we hash out which of TV’s favorite pals make our list of the greatest TV characters of all time.
Linklater’s Before Trilogy – Before Sunrise, Before Sunset, and Before Midnight – is an eye-catching crystallization of how relationships change over time.
Netflix brings back the classic Nick cartoon twenty years later for a one-off special filled with heart and surprisingly complicated musings on the passage of time.
Even with segments by 90s indie luminaries like Robert Rodriguez, Allison Anders and Quentin Tarantino, Four Rooms is too herky-jerk to work.
2019 is a year chock-full of James Cameron film anniversaries, and we start with one of his more flawed, but deconstructionist action flicks.
Robert Rodriguez and Quentin Tarantino’s grindhouse vampire thriller is a fascinating but flawed glimpse into their collaboration.
Quentin Tarantino’s classic 1994 new-cool drama set the stage for a new era of independent film, and saw the end of his own sense of mercy.
One of the few Tarantino scripts not directed by the man himself, Tony Scott’s “True Romance” is a tragically too-cool crime thriller that doesn’t age well.
Quentin Tarantino’s breakout debut feature is a bloody distillation of his best and worst instincts.
Before they made their directorial debut, Lana and Lilly Wachowski wrote the Stallone-Banderas actioner Assassins, a far cry from their future work.
Our exploration of black women directors continues with a look at Gina Prince-Bythewood’s sensitive, layered romantic drama.
Every artist has their muse, but sometimes that relationship grows toxic and strains – with Tim Burton and Johnny Depp, that moment appears long passed.
Adapting the Topps trading cards to cackling comic life, Tim Burton! offered a twisted alien invasion alternative to Independence Day.
RELAXER’s director sits down to talk about video games and the horrors of Y2K.
Joel Potrykus’ comically grim indie shows the grotesque end result of staying on your couch playing video games all day.
