Love it or hate it, Joel Schumacher’s first take on the Caped Crusader was a neon-lit spectacle. Two of our writers debate its flaws & merits.
For the first film’s 40th anniversary, we hack and slash our way through the long, bloody saga of Jason Voorhees and his journeys from hell to Manhattan to space.
A tribute to one of the greatest icons in movie history.
As his WWI war epic 1917 comes out in time for the holidays, we spend December looking back on the eclectic modes of Sam Mendes.
One writer’s childhood bond with his best friend was sealed by a fateful late-night screening of Die Hard with a Vengeance.
Wyrm writer/director Christopher Winterbauer sits down at Fantastic Fest to talk about the analog appeal of ’80s kitsch and adapting shorts to features.
For the classic sitcom’s 25th anniversary, we hash out which of TV’s favorite pals make our list of the greatest TV characters of all time.
Linklater’s Before Trilogy – Before Sunrise, Before Sunset, and Before Midnight – is an eye-catching crystallization of how relationships change over time.
Netflix brings back the classic Nick cartoon twenty years later for a one-off special filled with heart and surprisingly complicated musings on the passage of time.
Even with segments by 90s indie luminaries like Robert Rodriguez, Allison Anders and Quentin Tarantino, Four Rooms is too herky-jerk to work.
2019 is a year chock-full of James Cameron film anniversaries, and we start with one of his more flawed, but deconstructionist action flicks.
Robert Rodriguez and Quentin Tarantino’s grindhouse vampire thriller is a fascinating but flawed glimpse into their collaboration.
Quentin Tarantino’s classic 1994 new-cool drama set the stage for a new era of independent film, and saw the end of his own sense of mercy.
One of the few Tarantino scripts not directed by the man himself, Tony Scott’s “True Romance” is a tragically too-cool crime thriller that doesn’t age well.
Quentin Tarantino’s breakout debut feature is a bloody distillation of his best and worst instincts.
Before they made their directorial debut, Lana and Lilly Wachowski wrote the Stallone-Banderas actioner Assassins, a far cry from their future work.
Our exploration of black women directors continues with a look at Gina Prince-Bythewood’s sensitive, layered romantic drama.
From Bound to Sideways to Romy and Michelle, this year’s Ebertfest was a celebration of the weird, eclectic, and fantastic films Roger Ebert loved.