Robin Williams smarms his way through his misguided, treacly 1998 medical dramedy.
Jen Rainin’s documentary about famed lesbian magazine Curve is a welcome snapshot of queer lit history, in all the publication’s ups and downs.
Christian Alvart’s remake of a 2014 Spanish thriller turns post-Wall German backwoods into a tense stage for murder and grit.
Say what you will about Kevin Costner’s disasterpiece, but it’s a reminder of the time when studios were willing to wade into uncharted seas.
A look back at a time when “the internet” was portrayed as a mysterious boogeyman that could destroy your life.
1991’s Scent of a Woman remains one of the most baffling recipients of Oscar gold, a prep-school drama lifted only by an early Philip Seymour Hoffman turn.
Love it or hate it, Joel Schumacher’s first take on the Caped Crusader was a neon-lit spectacle. Two of our writers debate its flaws & merits.
For the first film’s 40th anniversary, we hack and slash our way through the long, bloody saga of Jason Voorhees and his journeys from hell to Manhattan to space.
A tribute to one of the greatest icons in movie history.
As his WWI war epic 1917 comes out in time for the holidays, we spend December looking back on the eclectic modes of Sam Mendes.
One writer’s childhood bond with his best friend was sealed by a fateful late-night screening of Die Hard with a Vengeance.
Wyrm writer/director Christopher Winterbauer sits down at Fantastic Fest to talk about the analog appeal of ’80s kitsch and adapting shorts to features.
For the classic sitcom’s 25th anniversary, we hash out which of TV’s favorite pals make our list of the greatest TV characters of all time.
Linklater’s Before Trilogy – Before Sunrise, Before Sunset, and Before Midnight – is an eye-catching crystallization of how relationships change over time.
Netflix brings back the classic Nick cartoon twenty years later for a one-off special filled with heart and surprisingly complicated musings on the passage of time.
Even with segments by 90s indie luminaries like Robert Rodriguez, Allison Anders and Quentin Tarantino, Four Rooms is too herky-jerk to work.
2019 is a year chock-full of James Cameron film anniversaries, and we start with one of his more flawed, but deconstructionist action flicks.
Robert Rodriguez and Quentin Tarantino’s grindhouse vampire thriller is a fascinating but flawed glimpse into their collaboration.