On the thirty-fifth anniversary of the film’s release, we look back at James Cameron’s most melancholy blockbuster.
The Disney sequel gets a modest #1 spot, while Zombieland: Double Tap scares up a respectable opening weekend.
Joker tops the box office again while The Addams Family excels & Gemini Man struggles.
Joker’s box office take this opening weekend is nothing to laugh at, as the DC Comics experiment paid off handsomely for Warner Bros.
DreamWorks has another winner as “Downton Abbey” politely steps aside.
Two masters of the absurd get new Criterion releases – one (The Circus) Chaplin’s last great silent, the other (Polyester) uproarious John Waters vulgarity.
Waistcoats and pageantry rule the day at the box office, while Brad Pitt’s cerebral sci-fi drama Ad Astra puts on a respectable showing.
“It: Chapter Two” holds the top spot for a second week, while “Hustlers” breaks some records.
Though down a bit from Chapter 1, Pennywise & the Losers make an impressive early fall comeback.
The summer movie season quickly cools off with sequels and re-releases holding onto most of the top spots.
Gerard Butler blows up the competition this weekend with a $21 million take for the latest Has Fallen […]
Jane Campion’s Janet Frame biopic, a trilogy of fables from Abbas Kiarostami, and one of Ozu’s lesser-known melodramas fill Criterion’s August slate.
The Seth Rogen-produced kiddie-raunch comedy starts strong, in an August that’s been largely underwhelming for the box office.
The latest Fast & Furious movie maintains a modest hold on the box office this weekend, while newcomer Scary Stories to Tell in the Dark makes a big splash for late-summer horror flicks.
Thirty years ago, The Abyss saw James Cameron pivot away from masculine action pictures into more humanist filmmaking.
Hobbs & Shaw raced into theaters last weekend and racked up a respectable box office showing, while The Farewell continued its upward trajectory.
While “The Lion King” dropped like Mufasa off a cliff in its second weekend, “Once Upon a Time in Hollywood” kicked off Tarantino’s biggest opening.
Disney’s latest live-action remake ruled the kingdom, and other kid-friendly fare made a solid showing.