The closing chapter of the Star Wars sequel trilogy maintains a steady second-weekend box office haul.
The scandalous pre-Code melodrama The Story of Temple Drake and Wim Wenders’ sci-fi road movie Until the End of the World get the Criterion treatment.
Star Wars: The Rise of Skywalker rises to a forceful $175.5 million opening weekend at the box office, but it falters compared to previous episodes.
We revisit the underappreciated humanism of James Cameron’s effects-driven blockbuster a decade after its release.
Despite a weak year for sequels, audiences are willing to play another round with the Rock and friends.
Playmobil’s misguided animated feature follows in the footsteps of Delgo, The Oogieloves and other ill-fated kid’s flicks.
Disney’s sequel enjoys another robust weekend, while the Rian Johnson whodunit clues moviegoers to the joys of original crowdpleasers.
Bette Davis’ 1942 melodrama masterpiece Now, Voyager, directed by Irving Rapper, gets a pristine rerelease courtesy of The Criterion Collection.
Frozen 2 breaks the ice of November’s box-office chill — and the year’s downward trend of family movie sequels.
Your dad’s favorite racing movie races to a $31.5 million opening weekend.
The Stephen King sequel checks out with a disappointing opener, but Roland Emmerich’s WWII epic flies high.
There is no fate but what we make, and Dark Fate‘s middling box office returns paint a grim […]
Sequels continue to struggle as oddities like Robert Eggers’ “The Lighthouse” are unexpected hits.
On the thirty-fifth anniversary of the film’s release, we look back at James Cameron’s most melancholy blockbuster.
The Disney sequel gets a modest #1 spot, while Zombieland: Double Tap scares up a respectable opening weekend.
Joker tops the box office again while The Addams Family excels & Gemini Man struggles.
Joker’s box office take this opening weekend is nothing to laugh at, as the DC Comics experiment paid off handsomely for Warner Bros.
DreamWorks has another winner as “Downton Abbey” politely steps aside.