Maïmouna Doucouré has a lot on her mind, but digs uncomfortably into oversexualization.
Author: Andrea Thompson
This animated reboot of TV’s spookiest family plays its kid-friendly scares a bit too safe.
A punk drummer loses his hearing in Darius Marder’s intense, layered personal drama, with an intense lead performance by Ahmed.
The acclaimed filmmaker stumbles in her slick, but inaccessible portrait of the iconic civil rights figure.
Fifteen years later, the spectacular failure of Catwoman still stings.
Quentin Tarantino’s half of the nostalgia throwback Grindhouse is as problematic as it is strangely empowering.
Ten years after its release, Sam Raimi’s return to Evil Dead-like horror remains a gory good time.
Miyazaki’s animated classic effortlessly blends magical realism with a relatable coming-of-age story about building community.
Five years on, Ava DuVernay’s gripping account of the march from Selma to Washington stresses that MLK’s fight is far from over today.
This piece was originally posted on Alcohollywood Halloween season is here, which means it’s the season of the […]
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