Fifteen years later, the spectacular failure of Catwoman still stings.
Author: Andrea Thompson
Quentin Tarantino’s half of the nostalgia throwback Grindhouse is as problematic as it is strangely empowering.
Ten years after its release, Sam Raimi’s return to Evil Dead-like horror remains a gory good time.
Miyazaki’s animated classic effortlessly blends magical realism with a relatable coming-of-age story about building community.
Five years on, Ava DuVernay’s gripping account of the march from Selma to Washington stresses that MLK’s fight is far from over today.
This piece was originally posted on Alcohollywood Halloween season is here, which means it’s the season of the […]
Brad Bird’s 2018 sequel offers more of the same superhero fun as the original, but brings along some […]
Gary Ross’ gender-swapped revamp of the slick heist franchise doesn’t offer its female leads enough worthwhile things to […]
Netflix’s latest coming-of-age indie comedy mixes a charming cast with an impassioned debate over adolescent ambitions and how […]
