1095 Best Film & TV Releases Translated Into Greek (Page 32)

One of the few moments of genuine humanity from Ghostbusters: Afterlife comes before the movie starts. In the press screening intro video, director and co-writer Jason Reitman shows up to tell everyone to please enjoy the movie. Then he briefly mentions the high stakes pressure of taking up the mantle of a beloved film property from his father, Ivan Reitman.  Continue Reading →

What if you were the only one in your entire family without magic? Disney's Encanto sets out to answer that question with music and charm as its fanciful powers. Continue Reading →

Disney brought out the nostalgia machine for Home Sweet Home Alone, the latest installment in the franchise of the same name. While it’s not a carbon copy remake, Home Sweet Home Alone lacks the charm of the original 1990 film. It narrowly slides into being a passable family film thanks to the work of a committed cast featuring Archie Yates, Rob Delaney, and Ellie Kemper. Continue Reading →

You can listen to the score for Only Murders in the Building on your preferred music streaming service courtesy of 20th Century Studios. Continue Reading →

People think the Cold War officially ended with the fall of the Berlin Wall in 1989. That may technically be the right answer, but the actual end of the Cold War happened in Moscow on Christmas Day, 1985. That’s when American boxing champ Rocky Balboa knocked out Russian behemoth Ivan Drago in such a humiliating fashion that even his own countrymen were Team Rocky by the end of the slugfest. It was such a blow to morale that the USSR never recovered.  Continue Reading →

Kingstown, Michigan is as much an industry city as Bay Lack, FL, or McDonald, OH. Except, as Mike McLusky (Jeremy Renner) tells us in Mayor of Kingstown’s opening voiceover, the company that Kingstown answers to doesn’t run theme parks or make steel. They incarcerate. Continue Reading →

If I were to tell you that Will Ferrell and Paul Rudd were starring in a comedic miniseries about a hapless, neurotic man whose entire life is taken over by his overbearing psychiatrist, you’d be forgiven for assuming that (a) Ferrell plays the psychiatrist and Rudd his patient, and (b) it’d be a pretty funny movie. In fact, the opposite is true: Rudd, in a rare villainous role, is the doctor, and the series, Apple TV+’s The Shrink Next Door, isn’t particularly funny. Oh, there are some amusing moments, but they’re more likely to elicit laughs of the uncomfortable kind, as the viewer is torn between sympathizing with its protagonist and wanting desperately to shake some sense into him Continue Reading →

The Ragdoll Killer of the new AMC+ series may be meticulous in making a cadaver assembled from several bodies. They may have been painstaking in their planning, in the series of clues they left behind. Unfortunately, Ragdoll lacks the same level of rigorous attention. Continue Reading →

By most accounts, Alex Cox’s Sid & Nancy is not a particularly accurate depiction of the relationship between Sid Vicious, the most notorious member of the Sex Pistols, and Nancy Spungen, the American with whom he had a relationship that began in a state of anarchy, was sealed in a haze of drugs and ended with him allegedly stabbing her to death in a bathroom only a few months before he would himself die of a heroin overdose at the age of 21. Continue Reading →

Watching Clifford the Big Red Dog, it immediately becomes clear that the titular canine’s red fur represents represent the blood of the proletariat spilled at the altar of capitalism. After all, why else would Clifford populate the cast with kindly working-class humans while delivering antagonists in the form of big Pharma executives, cops, and even a pesky landlord? Clifford’s slapstick rampage is directed at the bourgeoise, whose massive number of sins are reflected in Clifford’s gigantic stature. Old Dogs auteur Walt Becker is putting the transgressions of the privileged class on display and introducing children to the concept of class consciousness.  Continue Reading →

Even after the umpteenth re-watch, I feel I’m only starting to scratch the surface of Paul Thomas Anderson’s The Master. Initial reviews and reactions gravitated towards the film’s relationship with Scientology and its co-founder L. Ron Hubbard. In the decade since, this fixation has dissipated, depriving confused viewers of an easy handhold while scaling this towering cinematic achievement. Make no mistake: Philip Seymour Hoffman’s Lancaster Dodd is a character clearly inspired by Hubbard. But labeling The Master “a movie about Scientology” is about as silly as thinking you can cure leukemia by accessing past lives.  Continue Reading →

It’s common to think about each of us having a “role” in society, with costumes, positions, stages, and actions to be performed. Mexican director Alonso Ruizopalacios (Gueros, Museo) deputizes this idea in A Cop Movie, which investigates policing and the line between fiction and documentary with political precision. Continue Reading →

It is difficult to imagine the people who, after Dexter’s largely despised series finale, felt that more Dexter would solve the problem. When you recall the last season of Dexter was also largely despised, it becomes even more challenging. Add in that, for many, the writing on the wall started even earlier, and it becomes damn near impossible. And yet, here is Dexter: New Blood. Continue Reading →

I must admit something upfront: I am incapable of fairly reviewing a Tom Hanks movie. I simply love him too much. Not in a thirst Tweet way, but rather in an “America’s Dad” way. I would trust him to sell me a car, even if he had never sold a car before in his life. He simply cannot do any wrong in my eyes. While it’s true that Hanks hasn’t appeared in a film that, on its own merits, was more than just “fine” since 2013’s Captain Phillips, even his recent work remains at least watchable, thanks to the warmth and humanity he brings to every performance. So too does he in Finch, Miguel Sapochnik’s sci-fi drama that wins no points for originality, but still works, thanks (T. Hanks?) to its star.  Continue Reading →

I wasn’t alive during the days of Kareem Abdul-Jabbar, Muhammad Ali, and Jim Brown’s stands against violent forms of discrimination. Therefore, Colin Kaepernick’s refusal to back down from his principles despite obvious NFL blacklisting makes him the closest my generation has to a genuinely revolutionary athlete. In refusing to stand for the national anthem in the wake of racial discrimination and murder by the U.S. Government, Kaepernick demonstrated he is who certain athletes (I’m looking at you, Kyrie Irving) think they are.  Continue Reading →

Occupied France. 1941. The egomaniacal, romantic SS Colonel Von Brückner (Daniel Bernhardt) and his supposed French mistress Marie (Nina Bergman) are ambushed by the Resistance on their way to secret away gold pilfered from Von Brückner’s superiors. They survive. Continue Reading →

With her abuser out of her life, one would think it’d be easier for Julie (Honor Swinton Byrne) to move from day to day. In some ways, it is; she’s no longer directly in the clutches of Anthony’s (Tom Burke) patterns of insults, flattery, and disposal. He’s now dead as a result of his drug addiction. She, however, still lives with his memory. She discusses him with her psychologist (Gail Ferguson) just as often as others refer to his passing as a “loss.” But he’s still there: in her mind, in her health, in her art. Now, in The Souvenir Part II, Julie is finalizing her graduation film for school, repurposing and compartmentalizing her emotions into her work. Continue Reading →

First things first. Just to be very clear, Animaniacs remains a funny show. The writing staff led by showrunner Wellesley Wild is undoubtedly clever. They can turn a phrase. They can develop an idea. Likewise, the voice talents, especially the trio behind Dot (Tress MacNeille), Wakko (Jess Harnell), and Yakko (Rob Paulsen, who also provides Pinky’s voice), are quite funny and haven’t lost their gift for motormouthed gab in the years since the first series. Continue Reading →

It's doubtful Dickinson Season 3 will convert any new subscribers to AppleTV+. Still, the final season provides a strong salute to wartime poet Emily Dickinson. Don't think of Dickinson in those terms? You're hardly alone.  Continue Reading →

The action all-star pushes his limits in James Nunn's tense, daring single-shot tactical shooter. Present day. Present time. A helicopter arrives on an island, home to a soon-to-be-shuttered US prison. Intelligence analyst Zoe Anderson (Ashley Greene Khoury, Accident Man) is in the field for the first time. She has come to the island to retrieve a prisoner, Amin Mansour (Waleed Elgadi, Mosul) who she believes knows the location of a dirty bomb set to go off in Washington. Anderson is accompanied by a small team of Navy SEALS, led by the cooly professional Lieutenant Jake Harris (Scott Adkins). Standing in Anderson and Harris' way is the arrogant prison chief Jack Yorke (Ryan Phillippe, The Way of the Gun), who'd rather brutalize the men in his custody to slake his desire for vengeance than do his damn job. It's about then that a joint army of Islamist radicals and bloodthirsty mercenaries attack and everything goes right to hell. Led by the cunning, sadistic, and supposed-to-have-been-dead French-Algerian freelancer Hakim Charef (UFC fighter Jess Liaudin), this vicious crew of mega-creeps wants Mansour dead. Boxed in, Anderson, Harris, his team (Emmanuel Imani, Dino Kelly, and Jack Parr) and prison staffer Tom Shields (Terence Maynard, The Witcher) must fight to re-establish contact with the outside world and keep Mansour alive. And Mansour, a grieving man with both reason to despise the U.S. and far more of a conscience than Charef, must do whatever he can to survive. Continue Reading →

When Star Trek: Deep Space Nine debuted in 1993, it was different. No longer were our heroes aboard Starfleet’s flagship. No longer did they hail exclusively from the Federation. No longer would they harmoniously explore the galaxy with a different destination every week. Instead, they were stationed on a backwater alien refinery. The show’s major players were a mix of Starfleet officers, local veterans, and civilian operators. The station was the destination, and the stories came from the various visitors passing through. Continue Reading →