Philip Seymour Hoffman classes up an otherwise dull and contrived spy drama.
Kathryn Bigelow’s directorial debut has its standout elements but is overall too detached for its own good.
Pegged upon release as a retread of previous work, William Friedkin’s neo-noir is something altogether different.
Sam Raimi brought his camp sensibilities to Marvel’s friendly neighborhood Spider-Man, launching a bright new era for superhero filmmaking.
David Lynch’s 1990 thriller remains a scintillating, if inessential, piece of the filmmaker’s gonzo catalog.
The only thing that saves Abel Ferrara’s autobiographical drama is a typically excellent performance by Willem Dafoe.
Willem Dafoe and some cute puppies aren’t enough to save this dull, overlong adventure.
Robert Pattinson and Willem Dafoe crash upon the ramparts of Robert Eggers’ disquieting followup to The Witch.
Garret Price processes the untimely death of Anton Yelchin through an intimate look at the actor’s mind, process, and struggles.
Abel Ferrara eulogizes fellow scandalizer Pier Paolo Pasolini in a suitably grimy tone poem featuring Willem Dafoe.
The latest DCEU movie makes waves, but succumbs to the undertow of the series’ previous mistakes.
Jennifer Peedom’s intriguing blend of documentary filmmaking and classical music comes to home theaters courtesy of a stunning […]