The blockbuster composer talks to us about his freewheeling experimentations for the Russo brothers’ latest film.
The Russo brothers’ Avengers: Endgame follow-up wastes the potential of a grown-up Tom Holland, and tries way too hard.
The latest Marvel film to date is more than a mid-sized follow up to Avengers: Endgame — it establishes Peter Parker as the beating heart of the new MCU.
The culmination of Marvel’s 11-year gameplan is a cinematic juggling act whose success is an unlikely achievement.
Alien robots and evil Norse gods may prove a thrill to the multiplex, but here, they’re not much more intimidating than adolescence.
Building off the political intrigue of their first MCU entry, the Russo brothers further blended reality and fantasy in their second smash hit.
Pixar gets back to its tear-jerking roots with an emotionally complex modern fantasy about grief, loss, and brotherhood.
Will Smith & Tom Holland lend their voices to an animated adventure that makes up in charm what it lacks in originality.
It doesn’t reach the swinging heights of Homecoming, but Jon Watts’ follow-up gets Marvel’s Phase Four off to a charming enough start.