Pedro Almodóvar’s adaptation of Jean Cocteau’s one-act play is an expansive, carefully constructed half-hour.
tilda swinton
A rare misfire in his filmography, Jim Jarmusch’s horror-comedy is an inconsistent mess that’s neither scary or funny.
Though its glacial pacing & elliptical dialogue challenges the audience, Jarmusch’s 2009 crime thriller is its own fascinating beast.
Part deadpan comedy, part drama, and part neo-noir, Jim Jarmusch’s 2005 indie remains one of his most textured—and one of his most approachable.
Joanna Hogg tells the story of a young artists’ maturity with an airtight structure and incredible performances.
This piece was originally posted on Alcohollywood Halloween season is here, which means it’s the season of the […]
Luca Guadagnino’s disturbing, cerebral remake of the Dario Argento giallo original is an ice-hot knife to the cerebellum, […]