Kino Lorber releases three essential queer films from the late director Derek Jarman.
David Fincher’s syrupy historical fantasy is as sumptuously filmed as it is shallowly written.
Pedro Almodóvar’s adaptation of Jean Cocteau’s one-act play is an expansive, carefully constructed half-hour.
A rare misfire in his filmography, Jim Jarmusch’s horror-comedy is an inconsistent mess that’s neither scary or funny.
Though its glacial pacing & elliptical dialogue challenges the audience, Jarmusch’s 2009 crime thriller is its own fascinating beast.
Part deadpan comedy, part drama, and part neo-noir, Jim Jarmusch’s 2005 indie remains one of his most textured—and one of his most approachable.
Joanna Hogg tells the story of a young artists’ maturity with an airtight structure and incredible performances.
Gena Radcliffe and Beau North dig into a dozen gruesome, bloody tales of love and horror this Valentine’s Day.
This piece was originally posted on Alcohollywood Halloween season is here, which means it’s the season of the […]
Luca Guadagnino’s disturbing, cerebral remake of the Dario Argento giallo original is an ice-hot knife to the cerebellum, […]