Tag: streaming

Dead for a DollarD
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September 26, 2022

Dead for a Dollar sees Walter Hill back in fighting form

The legendary director teams with Christoph Waltz and Willem Dafoe for a thoughtful, superbly crafted western.
The Best TV Shows of 2020T
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December 16, 2020

The Top 25 TV Shows of 2020

From BoJack to What We Do in the Shadows, we break down the TV that got us through a hellish year.
Coffee & Kareem&
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April 3, 2020

“Coffee & Kareem” is Bitter on the Palate

Netflix's latest buddy cop comedy is a dated, hateful mess that doesn't deserve the screentime.
Paul Leonard-Morgan Tales from the LoopP
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April 3, 2020

Paul Leonard-Morgan Puts the Future to Music in “Tales from the Loop”

The composer discusses crafting the delicate, otherworldly rhythms of Amazon's sci-fi anthology series.
Coronavirus Streaming GuideT
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March 20, 2020

The Quarantine Film Festival: Streaming Through the Coronavirus

A comprehensive guide to the streaming films you should watch as you quarantine from the coronavirus.
To All The Boys: P.S. I Still Love You&
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February 11, 2020

“To All the Boys: P.S. I Still Love You” Keeps Things Warm, Fuzzy, Safe

Netflix's sequel to To All the Boys I've Loved Before keeps the charm but loses some of its edge.
Servant Music Trevor GureckisT
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January 10, 2020

Trevor Gureckis on Scoring M. Night Shymalan’s “Servant”

The composer of M. Night Shyamalan's Apple TV+ thriller talks about the twists and turns of his unsettling score.
T
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September 11, 2019

Tigers Are Not Afraid Review: Magical Realism Defies the Mexican Drug War

Issa López captures the horror of growing up in a warzone with a gritty fairy tale that would make Guillermo Del Toro proud.
Carnival Row Travis BeachamT
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August 23, 2019

Travis Beacham on the Long, Winding Faerie Tale Creation of “Carnival Row”

The co-creator of Amazon's latest fantasy series discusses the story's long, winding road from long-dormant feature script to streaming series.
Nocturama“
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July 10, 2019

“Nocturama”, Or How Watching A Movie In 2019 is Hell

Streaming services grant unprecedented access to films normally outside the reach of most moviegoers. But can the technical experience of watching them do them a disservice?