CBS All Access’ all-star miniseries adaptation of the timely Stephen King novel bogs itself down in a helter-skelter structure and an acute lack of stakes.
Though it loses its steam in the second half, Shudder’s adaptation of Stephen King & Joe Hill stories is perfect holiday viewing.
Holly picks up one thread after another, & begins to get a full, chilling picture of what the team might be up against.
Ralph reluctantly takes on a partner as a colleague has a brush with the impossible.
HBO’s adaptation of Stephen King’s supernatural murder mystery is off to an eerie, understated start.
The Stephen King sequel checks out with a disappointing opener, but Roland Emmerich’s WWII epic flies high.
Mike Flanagan’s latest is equal parts Stephen King adaptation and Stanley Kubrick sequel, and can’t quite bridge the gap.
The all-encompassing Stephen King series introduces Misery and Salem’s Lot to the mix.
While much of the final cut works, earlier versions of the script went to deeper & scarier places.
Childe Roland to The Dark Tower came, and unfortunately, he brought all of us along with him.
Frank Darabont’s adaptation of the Stephen King story is one of the bleakest, most nihilistic takes on his material.
2007’s Stephen King thriller is a wonderfully economic take on the horror writer’s sensibilities, a real-time flytrap you can’t help getting stuck in.
IT star Dennis Christopher talks about Eddie Kaspbarak, Tim Curry, and the rest of his time in Derry, Maine on the set of the Stephen King adaptation.
The Vincenzo Natali adaptation of Stephen King’s short story is a repetitive struggle.
For better or for worse, Lawrence Kasdan’s adaptation of Dreamcatcher captures the strange, ambitious essence of a Stephen King novel.
Mary Lambert’s 1989 adaptation of the Stephen King novel Pet Sematary doesn’t dig as deeply into parental anxiety and tension as it would like.
Mick Garris’ ambitious but flawed miniseries adaptation lives on thanks to misplaced nostalgia.
An eight-page horror story becomes a blashemous ’90s VR nightmare – one that Stephen King didn’t want his name attached to.