George Miller’s post-apocalyptic series is just as much about learning to communicate as it is learning to survive in the desert wastes.
riley keough
Janicza Bravo’s retelling of the 2015 viral Twitter thread boasts great performances and surprisingly solid filmmaking, even if it ends on a shrug.
David Robert Mitchell’s latest might just be reviled precisely because it prods at the solipsism of the film bros who tend to identify with it.
New thrillers from Jennifer Kent and Babak Anvari highlight Day 3 of our Sundance coverage.