Andrew Patterson’s tale of strange goings-on in ’50s New Mexico is full of detail, even if it doesn’t reach its full potenial.
Benedict Andrews’ retelling of FBI’s pursuit of the French New Wave star under the Hoover administration relies far too heavily on broad stokes.
Rachel Lee Goldenberg’s remake of the 1983 rom-com is a light, airy work of kitsch that’s easy to fall into.
Newly restored in 4K by Indiecollect and released by Kino Lorber, Nancy Kelly’s 1991 western softly explores racial and gender-based oppression in late-1800s America.
Justin Kurzel puts manhood, infamous 1800s criminals, and the first feature film ever made into a bushranging blender.
Kelly Reichardt’s latest is a kindhearted storybook of a film that gracefully balances the sights, sounds, and textures of pre-Gold Rush Oregon.
Autumn de Wilde’s straightforward adaptation of Jane Austen’s novel has its charming moments, but that doesn’t make up for its missed opportunities.
Amazon Prime’s girl scout comedy wastes its cast and period setting to make for an involving, generically cute indie.
Destin Daniel Cretton’s legal drama has its moments of impact and an impressive cast, but it’s far too lopsided to stick the landing.
Karim Aïnouz’s latest is an ambitious adaptation of two women separated by the patriarchy and the loneliness of family.
Sam Mendes’s tale of forlorn love works best as a study of the pitfalls that litter the American Dream.
Terrence Malick’s three-hour opus examines the links between the theological, the empirical, and the absurdist in his best film in almost a decade.
Tom Harper’s ascent to the stratosphere has moments of tension, but they’re undercut by a choppy narrative and a shallow approach to its true story.