Timothy Greenberg’s leaden, frustrating series is too lackadaisical to explore its clone-centric premise. Living with Yourself is the […]
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Vince Gilligan returns to the fate of Jesse Pinkman in a thrilling, meditative neo-Western epilogue made strictly for Breaking Bad devotees.
Brad Anderson’s latest thriller suffers from a predictable script.
The Vincenzo Natali adaptation of Stephen King’s short story is a repetitive struggle.
Ryan Murphy’s first show for Netflix throws everything at the wall, and not all of it sticks.
Netflix’s new miniseries illustrates the painful, ugly road to justice after a sexual assault.
The Jim Henson Company makes a stellar return to form in Netflix’s epic, ten-episode prequel to the classic 1982 film.
There’s cheese aplenty in Netflix’s latest rom-com, but its Maori cast and Kiwi setting give it some unexpected charms.
Julia Reichert and Steven Bognar track the intersection of culture and capitalism in this intriguingly humanistic doc.
David Fincher’s haunting, revolutionary Netflix show returns for a sophomore glimpse into the dark core of the American soul.
In a year of TV series reaching their much-vaunted conclusions, Orange Is the New Black went out with a seventh season filled with drum-banging polemic.
Netflix brings back the classic Nick cartoon twenty years later for a one-off special filled with heart and surprisingly complicated musings on the passage of time.
As the Gorgeous Ladies grow apart, the show itself is more confident and sure-footed than ever.
A more expansive season opts for character beats over cohesive storytelling.
The otherwise-spotty Hateful Eight still contains one of Tarantino’s greatest sequences.
Katee Sackhoff and an improbably attractive crew can’t save this DOA sci-fi series.
David Harbour & a game cast try their best, but can’t save this rush job of a Netflix mockumentary.
Streaming services grant unprecedented access to films normally outside the reach of most moviegoers. But can the technical experience of watching them do them a disservice?
